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Kolkata, West Bengal, India
A FLAPDOODLE ... A COPROLALOMANIAC ... A DOPPELGANGER ... a blog when written when deranged for a man to give one gyp and what a gyp with a gusto ... this blog a mistaken ladder furnishes its one carrying self-lagoon ... rotten blog holding a periapt to vomit to laugh and cry and shout and yell ... a preface to the birth of an ablazed moon ... all white all gay all blood all sand ...

Saturday 30 April 2011

আর মানুষের বাচ্চারা সবাই খুব হূঁশিয়ার থাকবেন ... কেননা সেলিব্রিটি নন বলেই সুবিমল মিশ্র যখন খুশী মুতে দিতে পারেন আপনাদের মুখে [first published during the Kolkata Book Fair in the January 2009 issue of the Bengali magazine "জারি বোবাযুদ্ধ"]


“I don’t recommend it for others.”    [ Vladimir Mayakovsky : Suicide Note ]

                             cÖK„Z cÖ¯—v‡e, mywegjwg‡kªi Rb¥ ev g„Zy¨ †Kv‡bvUvB nIqvi mgq n‡q I‡V wb Ghver| ¯^ZZtB, AgiZ¡ A_ev giYkxjZv †KnB Av‡KkvMÖbLivMÖ †kl-ïi“-iwnZ GB ÔmywegjÕ-‡K Luy‡R †c‡q DV‡Z cv‡i wb AvRI| Gg‡ZB ÔmywegjÕ iq AÎ, ZÎ, me©Î|

(1)  Avm‡j  GwU  mywegjwg‡kªi  mv¶vrKvi  n‡q  DV‡Z  cvi‡Zv
                    “Each of us says
                      Not what he wants to say, but what is seemly. Words
                      Conspire treacherously behind our backs
                      And it is not we who speak the words, the words speak us
                      And betray our thoughts which also
                      Betray our treacherous feelings.”
[ Witold Gombrowicz ]

          AvR Avgvi Amgeqmx eÜz mywegj wgkª Zuvi eyRyg m¨vOvr gvZvj †Rgm R‡qm Avi Zuvi Pz-wKr-wKr †Pjv m¨vgy‡qj †e‡KU-Gi mv‡_ †KvjKvZvi R½‡j wkKvi Kiv m`vb›` wnR‡o L”P‡ii my¯^v`y wewPfvRv ( mu¨vKv-I nq ) LvIqvi wel‡q Zuvi 64 eQ‡ii †gŠbx fv½‡jb| Avb›`evR Øx‡c cyi“l-‡ek¨v‡`i-mvgvwRK-wbivcËv msµvš— GK †mwgbv‡i we¯—i Kv‡ßbx dwj‡q, m`¨ wb‡Ri AvÛviMÖvD‡Û †div, A-K¬vš— myweg‡ji G-wel‡q cÖv_wgK D`vmxbZvi gvÎv, Zuv‡K Kiv Avgvi hveZxq cÖvmw½K cÖkœ¸‡jv‡K Kvjvi g‡Zv ïb‡Z-bv-cvevi fvb Kivw”Q‡jv| †`‡L g‡b nw”Q‡jv wb‡Ri †KvU Avi UvB †_‡K wjcw÷‡Ki-g‡Zv-jvj L¨vwZi `vM I MÜ gy‡Q †djvi †Póv Kivi K_v fvev Qvov Zuvi gM‡R †m g~n~‡Z© Avi Ab¨ †Kv‡bv wKQyi Rb¨B †Kv‡bv RvqMv †bB| hLb Ae‡k‡l Avwg GB cÖkœ Quyojvg, †h Zuvi wb‡R nv‡Z ¸wj K‡i gviv L”PiUvi wewP`y‡Uv Zuvi AbygwZ QvovB R‡qm †K‡U †bIqvq wZwb wKQy g‡b K‡iwQ‡jb wKbv, mywegj ej‡jb t ÒAu¨v? nu~g, Avt . . . I . . .Ó Avi Kv‡jv Kwd evbv‡Z ivbœvN‡i P‡j †M‡jb|

          Pkgvi BZt¯—Z-wew¶ß duvK w`‡q ivbœvNi Rwic K‡i ‡bIqvi ci wb‡Ri g‡b weowewo‡q M¨vm R¡vjvevi Av¸b Luy‡R bv cvevi w`we¨ Mvj‡Z-Mvj‡Z Ô‡cuv‡`i ¸ wZb RvqMvq jv‡MÕ-i ‡jLK H-Gi cvV‡Ki w`‡K Ny‡i ej‡jb t Òbvt, Avgvi g‡b nq bv|Ó ZZ¶‡Y wb‡Ri Kiv cÖkœUv wb‡RB †egvjyg fy‡j †g‡i ‡`Iqv Avwg ï‡avB t ÒAvcbvi g‡b nq bv, wK?Ó ÒwewP`y‡Uv . . . R‡qm . . . Avgvi g‡b nq Avwg wKQy g‡b Kwi wb|Ó myweg‡ji Reve Av‡m| Ò‡ek, wKš‘ Avcbvi †Kgb . . .Ó ej‡Z wM‡q Avgvq gvSc‡_ †_‡g †h‡Z nq, mywegj Nywg‡q c‡o‡Qb †`‡L, Avgvi mvg‡bB, `uvwo‡q `uvwo‡q, mvg‡bi w`‡K mvgvb¨ Suy‡K| wK Ki‡ev ey‡S DV‡Z bv †c‡i Avwg wb‡Ri c‡KU nvZov‡Z-nvZov‡Z GK ev· †gvg-‡`kjvB Luy‡R †c‡ZB Avgvi g‡b nq Gevi Avgvi Iubv‡K RvwM‡q †`IqvB DwPZ| Pg‡K D‡V GKevi bvK †W‡K wb‡q mywegj Avgv‡K ab¨ev` Rvbvb, Avi M¨vmUv R¡vwj‡q Kwdi Rb¨ Rj Mig n‡Z ewm‡q †`b| Av‡iv K‡qK wgwbU PzcPvc †K‡U hvIqvi ci Kwd ‰Zix Ki‡Z ïi“ K‡i mywegj e‡j I‡Vb t ÒR‡q‡mi c‡¶ e¨vcviUv fv‡jvB n‡q‡Q, GBme QvBcuvk †Mjv, n¨vsjvi g‡Zv| †ek ¯^v¯’¨Ki| mwZ¨B| nu¨v| nu¨v-B e‡U|Ó †di PzcPvc| Zvici nVvr Avgvi w`‡K Ny‡i ej‡jb t ÒI¸‡jv wP‡ev‡bvi Av‡M wK Zzwg I‡K †`‡LwQ‡j, bx‡jvrcj? Ii kix‡i wbN©vr bxj i³ Av‡Q| Avwg Aek¨ †f‡ewQjvg, †h G mewKQyB †KejgvÎ GK cuvBU fv‡jv f`Kvi Rb¨|Ó Gevi Kwdi cvÎUvq DuwK †g‡i GKevi †`‡L wb‡q, M¨vm †bfv‡bvi e`‡j AvuPUv G‡Kev‡i Kwg‡q w`‡q, e‡j Pj‡jb t ÒZzwg wK mwZ¨B R‡q‡mi †g‡q‡K Puy‡`wQ‡j? jywmqv‡K? hvK †M, wKQy g‡b †Kv‡iv bv| eis fy‡j hvI †h Avwg †Zvgvq GKLv wR‡M¨m K‡iwQ| g‡b nq Avwg GBgvÎ †bviv-i K_v fvewQjvg ! hvK †M, I Zzwg fy‡j hv‡e| Avgvi GKUz nvMv `iKvi| Zzwg GKUz †ev‡mv| KwdUv dz‡U †M‡j †X‡j wb‡q †LI|Ó

          mywegj AvÛviMÖvD‡Ûi wcQbw`‡K A`„k¨ n‡q †M‡jb| †hb Avgvq G-K_v eywS‡q w`‡q, †h Ô‡mwjweªwUÕ ej‡Z Avm‡j †evSvq Ggb GK-cvj-†dwmqvj-Kiv-†eeyb‡`i, hviv Zv‡`i cÖK…Z †hvM¨Zv-gvwdK †hUzKz ÔwWRvf©Õ K‡i, ev¯—‡e cv‡KP‡µ Zvi †P‡q A‡bK-A‡bK †ekx wKQy †c‡q †M‡Q| Avwg Gevi, G‡nb Ô‡mwjweªwUÕ-‡`i D‡Ï‡k¨ nvZ gvi‡Z kyi“ Kijvg|

(2)  byoKzr  †jLK-‡jwLKv  I‡d©  ey‡Ki  wefvwRKv  Z_v  wbZ‡¤^i  H
                   “My grandfather appreciated Verlaine, of whom he had a volume of selected poems. But he thought he had seen him enter a bar in 1894 ‘as drunk as a pig’. That encounter had thoroughly confirmed his contempt for professional writers; they were mere miracle-mongers who asked for a gold-piece to show you the moon and ended by showing you their behind for five francs.”
[ Jean-Paul Sartre ]

          myweg‡ji Rxeb †_‡K myweg‡ji Mvb †_‡K mywegj Avi Avwg myweg‡ji cÖ_g cvV myweg‡ji AeZib mywegj †kv‡b `iRvq †Ww÷wbi Kov bvov mywegj wUi¨v‡bvmivm myweg‡ji hy×-weeiYx mywegj mvg¨ev` myweg‡ji w_IjwR myweg‡ji cZb mywegj I Ab¨vb¨ X¨vgbv †jLKiv mywegj mgy`ª‰mK‡Z mywegj Aqw`cvDm myweg‡ji f¨vwbwU mywegj Avi wgwWqv myweg‡ji bvf©-‡dj myweg‡ji fyi“-‡KuvPKv‡bv mywegj hvq wkKv‡i myweg‡ji †Mvcb Mvb myweg‡ji †Ljvi mv_xiv myweg‡ji mywegj myweg‡ji B‡¤cÖvfvB‡Rkb myweg‡ji is myweg‡ji iY-n~sKvi mywegj Gevi Av‡iv Kv‡jv myweg‡ji wb‡Ri Mvb myweg‡ji A-myL mywegj wb‡R‡K †cB›U K‡i myweg‡ji †kl Ae¯’vb mywegj I mgy`ª mywegj Avi cv_i mywegj Avi myKzgv‡ii Kv‡°k¦i KzPKz‡P mywegj Avi †UW wnDR-Gi †µv mywegj Avi bevi“‡bi fw`i-evc . . .

          mywegj wgkª †KvbI Kvi‡bB Aa©-gb¯‹ gvbwmKZv cÖv_x© bq . . .

          GKUv AÜKv‡ii wWg, †hLv‡b m~h© Avi Puv` AvenvIqv A`je`j K‡i, Zv w`‡q dzwU‡q †ei K‡i Av‡b mywegj‡K, GKUv Kv‡jv ivgaby, k~b¨Zvi Ici k~b¨Zvi fv‡i ew¼g, Zey Doš—, GK wØZxq wKse`š—x . . .

          mywegj wgkª †KvbI Kvi‡bB Aa©-gb¯‹ gvbwmKZv cÖv_x© bq . . .

          ‡K Rb¥ †`q myweg‡ji? i‡³i Rb¨ PxrKvi, †h †Kv‡bv, evmvi †bvsivq Kuvc‡Z _vKv cvjKnxb KbyB¸‡jv, ci¤úiv . . .

          mywegj wgkª †KvbI Kvi‡bB Aa©-gb¯‹ gvbwmKZv cÖv_x© bq . . .

          Kvi? GB Sjmv‡bv gyL, GB R¨vš— dzmdzm, GB †ckxi ¯—i, GB AeY©bxq wn¤§r, GB cÖkœvZxZ a~mi-‡Kvl, GB _K_‡K i³, GB aviv‡jv †PvL, GB welv³ wRf, GB g~n~g©~n~ †R‡M IVv, GB _vwg‡q-ivLv ïbvwb, GB Zvgvg †fRv cv_y‡i Rwg, GB hveZxq Nvg . . . Kvi? g„Zy¨i? ‡K? Avkvi †P‡qI, B”Qvkw³i †P‡qI, †cÖ‡gi †P‡qI, Rxe‡bi †P‡qI . . . kw³kvjx †K? g„Zz¨? Z‡e g„Zz¨i ‡P‡qI eo †K? †ek . . . P‡jv, hvB Z‡e, mywegj| M‡f©i `iRvq `uvwo‡q †Riv . . .

          mywegj wgkª †KvbI Kvi‡bB Aa©-gb¯‹ gvbwmKZv cÖv_x© bq . . .

          cv w`‡q ‡VwO‡q †Luvov K‡i w`‡Z w`‡Z, gMR w`‡q Pve‡K cvMj K‡i w`‡Z w`‡Z, †PvL w`‡q Kzwc‡q AÜ K‡i w`‡Z w`‡Z, nvo w`‡q †Mu‡_ cuvRi †f‡½ w`‡Z w`‡Z, k¦vmbvjx w`‡q Mjv †cuwP‡q `g eÜ K‡i w`‡Z w`‡Z, n„`wcÛ w`‡q evwo †g‡i eyK dvwU‡q LZg K‡i w`‡Z w`‡Z, mywegj Wye‡Z _v‡K, Zwj‡q †h‡Z _v‡K, Zuvi wb‡RiB i³gvs‡m, `waPxi g‡Zv . . . Zvici, m-A-A-A-e Kv‡jv n‡q hvq . . . nu¨v, GKUv Lyb . . .

          mywegj wgkª †KvbI Kvi‡bB Aa©-gb¯‹ gvbwmKZv cÖv_x© bq . . .

          mywegj hLb PxrKvi K‡i ‡Ku‡` I‡V, Zuvi Kvb Sj‡m hvq, hLb †m nv‡m, duywc‡q I‡V Zuvi ¯—b, Zuvi nv‡Zi Zvjy, Zuvi fyi“, mevB mevB †PvL †_‡K i³ Sivq, †m GK cv evovq, Zvici Av‡iK cv evovq, Ges †di Av‡iK cv cÖ‡Z¨‡KB Zuvi gy‡L AuvPo gv‡i, eive‡ii Rb¨, mywegj hLb iv‡M †d‡U c‡o, †m AvZ‡¼ ¸wU‡q hvq, Avi f‡q †PvL †ev‡R, †m eyS‡Z cv‡i †h Zviviv wbhyZ-wbhyZ gvBj `~‡i, ‡m eª¤¢v‡Ûi fwel¨r †`L‡Z cvq, Lyj‡Z Lyj‡Z Lyj‡Z Lyj‡Z Lyj‡Z Lyj‡Z Lyj‡Z Lyj‡Z Lyj‡Z, Ae‡k‡l, †m Ny‡gvq, †f‡½ AvQ‡o c‡o Puv‡`i Mv‡q, †R‡M I‡V, Avi nvgv¸wo w`‡q †ewi‡q Av‡m Zuvi wb‡Ri cvQvi Zjv †_‡K . . .

          mywegj wgkª †KvbI Kvi‡bB Aa©-gb¯‹ gvbwmKZv cÖv_x© bq . . .

          evB‡i ‡Lvjv‡gjvq m~‡h©i Zjvq gvÎ GKUvB `iRv i‡q‡Q †`Iqv‡j, GKUv AÜKvi `iRv, mywegj †ewi‡q Av‡m †mB `iRv w`‡q, GK m~h© †_‡K Av‡iK m~‡h© D‡o †h‡Z-†h‡Z GB Av¯—vbv Luy‡R cvq †m, `iRvUv . . .

          mywegj wgkª †KvbI Kvi‡bB Aa©-gb¯‹ gvbwmKZv cÖv_x© bq . . .

          ‡jL‡Ki Avi cvwVKvi cÖvYnxb †`n c‡o _v‡K, Amvo, bi‡Ki KvbvMwj‡Z, kqZvb †f‡e P‡j, mgm¨v GZB M¤¢xi †h Zuvi Nyg cvq, mywegj nv‡m, Avi kqZv‡bi GKgvÎ mš—vb-‡cvKvUv‡K Kvg‡o `yUzK‡iv K‡i ‡d‡j, j¨v‡Ri w`‡Ki AvaLvbv Muy‡R †`q †jL‡Ki gjØv‡i, gv_vi w`‡Ki AvaLvbv cvwVKvi g~ÎwQ‡`ª, hv †mLvb †_‡K µgktB Xy‡K †h‡Z _v‡K kix‡ii Av‡iv Av‡iv Mfx‡i, Ges µgvMZ eyK‡cU N‡l Dc‡ii w`‡K DV‡Z DV‡Z †kl Aewa †ewi‡q Av‡m cvwVKvi nuv †_‡K, evwK AvaLvbv‡K Rjw` G‡m Zvi mv‡_ wgwjZ nevi Rb¨ WvK‡Z WvK‡Z, Gici †jLK †R‡M D‡V †`‡L †m gq`v‡b Nv‡mi Ici nvgv w`‡Z e¨¯—, cvwVKv †R‡M D‡V †`L‡Z cvq cvVK Zvi w`‡K GwM‡q Avm‡Q Pvi nvZcv‡q fi w`‡q, †KD-B ey‡S DV‡Z cv‡i bv Kx N‡U P‡j‡Q, Avi kqZvb Ny‡gv‡ZB _v‡K, mywegj †n‡mB P‡j, GKUv †Q‡jgvbylx gRv . . .

          mywegj wgkª †KvbI Kvi‡bB Aa©-gb¯‹ gvbwmKZv cÖv_x© bq . . .

          kqZvb mywegj‡K K_v ej‡Z †kLv‡bvi †Póv K‡i, Ò‡cÖgÓ kqZvb D”Pvib K‡i Òe‡jv, †cÖgÓ, mywegj nuvcvq, Avi mv`v nvOiUv mgy‡`ª AvQ‡o c‡o R‡ji Av‡iv Av‡iv Mfx‡i Zwj‡q †h‡Z _v‡K, Òbv, bvÓ kqZvb e‡j I‡VÒe‡jv, †cÖg, †Póv K‡iv, †cÖgÓ, mywegj nuvcvq, Avi GKUv cÖRvcwZ GKUv bxj gvwQ GKUv gkv Wvbv †f‡½ gyL _ye‡o c‡o cvZKz‡qvi AZ‡j, ÒGKUv †kl †PóvÓ kqZvb e‡jÒe‡jv, †cÖgÓ, myweg‡ji kix‡i wLuPzwb jv‡M, nuvcvq, Avi †jL‡Ki aonxb AwZKvq gyÛ mk‡ã †d‡U hvq c„w_exi ey‡K, wVK‡i †ewi‡q Avmv †PvL‡Rvov m‡gZ, cÖwZev` Rvbv‡Z, myweg‡ji mviv kix‡i †di wLuPzwb ïi“ nq, kqZvb Zuv‡K _vwg‡q DV‡Z cvivi Av‡MB, cvwVKvi Rivqy-bvjx cÖvYc‡b †cuwP‡q a‡i cvV‡Ki Mjv, µgktB Gu‡U em‡Z _v‡K, `yR‡bi a¯—vaw¯— Pj‡Z _v‡K Nv‡mi Ici, Avi kqZvb gwiqv †Póv Pvwj‡q hvq `yRb‡K Qvwo‡q Avjv`v K‡i †`Iqvi, Mvj cv‡o, †duvcvq, mywegj D‡o hvq, Aciva‡ev‡a, myweg‡ji cÖ_g cvV . . .

          mywegj wgkª †KvbI Kvi‡bB Aa©-gb¯‹ gvbwmKZv cÖv_x© bq . . .

          mywegj †`‡L cvj-cvj cvnvo, ‡auvqv Qv‡o †fvi‡ejv, Avi †`‡L mgy`ª, AÜKvi N~wY©, mviv `ywbqv G‡m c‡o, cvK Lvq, †m †`‡L Zviv‡`i, R¡j‡Z-R¡j‡Z LvK n‡q hvIqv, k~Y¨Zvi R½‡j MwR‡q IVv e¨v‡Oi QvZv, †g‡Ni g‡Zv Nb †_vKvq-‡_vKvq, Avi kqZv‡bi Rxevby, †m m„wói AvZ‡¼ †Ku‡c I‡V, ‡mB AvZ‡¼i gixwPKvq †m †`L‡Z cvq Ry‡ZvUv‡K, myLZjv †bB, e„wó‡Z wf‡R mu¨vrmu¨v‡Z, c‡o Av‡Q cvbv‡Wvevq, Avi Av‡Q GB gqjv †djvi evjwZ, ZjvUv gi‡Pq ¶‡q hvIqv, Av‡Q GB Zvwj gviv †Svjv, AÜKvi eB‡qi ZvK, GB †evev evwoi †evev N‡i, Av‡Q GB gyL, R¡jš— wmMv‡iU †Vuv‡U Szwj‡q, Avi gy‡Li cv‡k, GB nvZ, w¯’i, nv‡Zi bvMv‡j, GB ga¨ivZ, mywegj †PvL KPjvq, †di KPjvq, `„k¨ gy‡Q hvq bv, †m †P‡q _v‡K, AcjK, cvwVKvi `yB Ei“ †e‡q Mwo‡q bv‡g R‡ji aviv, wKQyB Zuvi †PvL Govq bv, †KDB cvjv‡Z cv‡i bv, mywegj AeZib K‡i . . .

          mywegj wgkª †KvbI Kvi‡bB Aa©-gb¯‹ gvbwmKZv cÖv_x© bq . . .

          PuyB‡q-PuyB‡q bxj ev¯ú †ei Ki‡Z _vKv bjUv mn wc¯—jUv‡K Zz‡j †bIqv n‡jv, †hgbfv‡e A¨vk-‡Uª †_‡K Zz‡j †bIqv hvq R¡vwj‡q ivLv wmMv‡iU, eo †`ix n‡q †M‡Q, mg¯— iv¯—v eÜ n‡q hvq, mg¯— cwiZ¨³ eR©¨ cÖ‡qvRbxqZv Db¥y³ n‡q I‡V eive‡ii Rb¨, mywegj‡K Gevi Lvevi LuyR‡Z †e‡iv‡bvi †Póv ïi“ Ki‡Z n‡e, †mB g~n~Z©Uv . . .

          mywegj wgkª †KvbI Kvi‡bB Aa©-gb¯‹ gvbwmKZv cÖv_x© bq . . .

          mywegj gZ©¨ †`‡L, ¯Z’c Avi ¯Z’c, ¯^M© †`‡L, mg¯— mxgvbv Qvwo‡q Qov‡bv, †m Amnvq †eva K‡i, Nv‡mi gv_v wQuo‡Z wQuo‡Z †m A‡c¶v K‡i, cÖ_g wb‡`©‡ki Rb¨, b`x †_‡K cv_i Zz‡j wb‡q co‡Z †Póv K‡i, ‡`‡L GKUv giv L”Pi c‡o Av‡Q, Avi GKUv Amnvq †Mvwijv, †m nuv‡U, †nu‡UB P‡j, ¯^”Q Zviv‡`i k~Y¨Zv‡K cªkªq w`‡Z w`‡Z, Zuvi Kv‡b m~Îwenxb av°v gvi‡Z †`q, Zey Zuvi g‡a¨ †mB fwel¨r-`k©b, `», B¯úv‡Zi wQjvi g‡Zv, mywegj †kv‡b `iRvq †Ww÷wbi Kov bvov . . .

(3)  cvZvjMvwÇB  AuvZzo , Avi  †Mvi¯’v‡bi  †Zv  cÖkœ  IVviI  cÖkœ  I‡V  bv
                   “We blew the shit right back up their own ass
                     And out their fucking ears
                     It works
                     We blew the shit out of them
                     They suffocated in their own shit
                     We blew them into fucking shit
                     They are eating it
                     Now I want you to come over here and kiss me on my mouth”
[ Harold Pinter ]

          wR`-Gi Ô`¨ Bggi¨vwj÷Õ, gvb-Gi Ô‡W_ Bb †fwbmÕ Avi Ô`¨ g¨vwRK gvD‡›UbÕ, †eªkU-Gi Ô`¨ w_ª †cwb A‡civÕ, ÷vBb‡eK-Gi ÔAd gvBm A¨vÛ †gbÕ, mvΩ-Gi ÔbwmqvÕ, †nwgsI‡q-i Ôdi n~g `¨ †ej †UvjmÕ, fvwR©wbqv Ejd-Gi ÔweUz¨Bb `¨ A¨v±mÕ, Ges Kvgy-i Ô`¨ AvDUmvBWviÕ myweg‡ji Rb¥ †_‡K h_vµ‡g 41, 31, 19, 15, 6, 5, 3, 2 I 1 eQi `~‡i ; †h eQiwU‡ZB †e‡ivq nvigvb †nm-Gi Ô`¨ M­vm weW †MgÕ, Ges GgbwK BwjqU-Gi Ô‡dvi †Kvqv‡U©UmÕ-Gi UzK‡iv PviLvbvI cÖ_gev‡ii Rb¨ cÖKvwkZ nq GKmv‡_| BwZg‡a¨B `ywbqvi Zver cvVKKzj‡K ÔBDwjwmmÕ Avi Ôwd‡bMvÝ I‡qKÕ bvgK Ghver Av‡QvjvZg euvk`ywUI †`Iqv n‡q †M‡Q R‡qm-Gi, h_vµ‡g 21 Avi 4 eQi Av‡MB| ew¼gP‡›`ªi ÔKcvjKzÛjvÕ hLb cÖ_gevi co‡Qb mywegj Zuvi 8 eQi eq‡m, BD‡iv‡c ZLb †e‡iv‡”Q †R.wW.m¨vwj½vi-Gi Ô`¨ K¨vPvi Bb `¨ ivBÕ| GB mv‡c‡¶ d¬¨vke¨v‡K hw` GKevi DuwK gviv hvq Av‡Mi kZvãx‡Z, †`wL 73-G ew¼gevey hLb Ôwele„¶Õ wjL‡jb, Zvi Av‡Mi eQ‡iB Ô`¨ ev_© Ad Uª¨v‡RwWÕ cÖme K‡i ‡d‡j‡Qb wbr‡m| ZviI h_vµ‡g 3, 15, 30, 31 Avi 42 eQi Av‡MB BD‡ivc †`‡L †d‡j‡Q `¯—qfw¯‹-i Ô`¨ BwWqUÕ, d¬‡ei-Gi I †ev`‡jqi-Gi Ôgv`vg †evfvwiÕ Ges Ô‡j d¬z¨i `y¨ gjÕ, †Mv‡Mvj-Gi Ô‡WW †mvjmÕ, cykwKb-Gi Ô`¨ †eªvÄ nm©g¨vbÕ Z_v ¯—uv`vj-Gi Ô`¨ †iW A¨vÛ `¨ e­¨vKÕ| `¯—qfw¯‹-i Ô`¨ eªv`vm© Kvivgv‡RvfÕ, †Rvjv-i ÔRvwg©bvjÕ, Avi wbr‡m-i Ô`vm †¯úK Riv_y÷ªÕ Aek¨ Ôwele„¶Õ-i h_vµ‡g 7, 12 I 16 eQi c‡iB c„w_exi Av‡jv †`‡L| wkï myweg‡ji ZLb Gme wKQyB Rvbv wQ‡jv bv| Rvbvi K_vI bq| †hgb Rvbv wQ‡jv bv, †h Zuvi eqm hLb gvÎ `yeQi, ZLb ¯—vwjb-Gi mgv‡jvPbv Kivi `v‡q Awfhy³ n‡q †mvj‡Swbrwmb 8 eQ‡ii Rb¨ wbe©vwmZ nb †jevi-K¨v‡¤ú ; Avi wZwb hLb wbQKB 1 eQ‡ii GK †LvKv, †R‡b ZLb wj‡L †d‡j‡Qb ÔAvIqvi †jwW Ad `¨ d¬vIqvm©Õ| Z‡e wZwb Rvbyb ev bv-B Rvbyb, wek¦mvwn‡Z¨ ZLb Pj‡Q GK gnv-gnvmyeY© hyM| mywegj 3 †_‡K 7 n‡q IVevi g‡a¨B BDwRb IÕ wbj, A¨vb d«¨v¼, MÖvnvg MÖxb, AiI‡qj I Av_©vi wgjvi, Av‡qv‡b‡¯‹v I wm.Gm.wjDBm G‡K A‡b¨i m‡½ cvj­v w`‡q GB 5 eQ‡i h_vµ‡g `ywbqv‡K †`wL‡q w`‡q‡Qb Ô`¨ AvBmg¨vb Kv‡g_Õ, Ô`¨ Wvqwi Ad G Bqs Mvj©Õ, Ô`¨ nvU© Ad `¨ g¨vUviÕ, ÔbvBbwUb GBwÆ-‡dviÕ Avi Ô‡W_ Ad G †mjmg¨vbÕ, Ges Ô`¨ eì †mvcÖv‡bvÕ Avi Ô`¨ jvqb, `¨ DBP A¨vÛ `¨ IqvW©‡iveÕ| mywegj ZLb G-mewKQy †_‡KB en~-en~ `~‡i, nq‡Zv wb‡Ri ARv‡š—B wb‡R‡K ‰Zix KiwQ‡jb GKw`b Gu‡`i mevB‡K Qvwc‡q hvevi Rb¨|

          GB mg¯— Z_¨ †_‡K Lye ¯úófv‡e hv ey‡S †bIqvi Av‡Q, Zv n‡jv (1) myweg‡ji eo n‡q IVv ev Ômywegj-n‡q-IVvÕ-i ‡h mgq, †mB GKB mg‡q †e‡o IVv Zuvi mgmvgwqK, huviv ZuviB g‡Zv cieZx©Kv‡j wjL‡Z G‡jb, Zuviv GB my-F× mg‡qi †_‡K wk¶v wb‡Z wb`vi“b e¨_©, †h wk¶vq wZwb wb‡R‡K ¯^-wkw¶Z Z_v ¯^Zš¿ K‡i Zz‡j‡Qb Afvebxq cÖwZfvq I `¶Zvq ; Ges (2) †h‡nZz mvwn‡Z¨i GB ¯^Y©mgq P‡jwQ‡jv b~¨bZt 24-wU wbôzi GwcÖj mywegj †`‡L bv IVv ch©¨š—, Ges Zvi Ae¨ewnZ c‡iB BD‡iv‡cI ïi“ n‡q hvq m¯—v-RbwcÖq-LvRv mvwn‡Z¨i Avbv‡Mvbv, m`¨mgvß †mB hy‡Mi GK mv_©K wk¶v_x©-cÖwZwbwa nIqvq GB `ytmg‡q Zuvi Kj‡gi `vwqZ¡ †h Ae©y` ¸Y †e‡o hvq, GK_v †Kv‡bv cÖ“¯—-Gi wKsev KgjKzgvi-Gi mywegj‡K G‡m eywS‡q †`Iqvi `iKvi c‡o wb| jovB‡qi †mB †h ïi“, AvR 40 eQi ev‡`I †d‡U P‡j‡Q evi“` Aweivg| †mB 24-Gi myweg‡ji cÖ_g Qvcv †jLv †QvUMí ÔnvivY gvwSi weaev †eŠ‡qi gov ev †mvbvi MvÜxg~wZ©Õ hLb DËivaywbK evsjv mvwn‡Z¨ hy×ïi“i m‡¼Z †`q, †m eQiB wek¦mvwn‡Z¨i AatcZb ïi“i Av‡M †hb †kl `ywU †evgv Quyo‡jb gv‡K©R Avi b‡evKf, h_vµ‡g ÔIqvb nv‡ÛªW Bqvim Ad mwjPzWÕ I Ôw¯úK, †ggwi t A¨vb A‡Uvev‡qvMÖvwd wi-wfwR‡UWÕ| Zvi Av‡M ch©¨š—I, gvÎ 15 eQ‡ii g‡a¨, GKw`‡K †hgb BD‡ivcxq mvwnZ¨‡K Av‡iv mg„× K‡i‡Qb †e‡KU, †nwgsI‡q, mj †e‡jv, b‡evKf, †Ki“qvK, ¸›Uvi MÖvm, nvBbwik †evj, mj‡Swbrwmb, †ev‡n©R, wmjwfqv c­v_, KvU© f‡bMvU, wgLvBj eyjMvKf cÖgyLiv ; Ab¨w`‡K Avevi cvkvcvwk, m¯—v-LvRv-RbwcÖq mvwn‡Z¨i ‡e‡bvRj wek¦mvwn‡Z¨i Ag„ZKz¤¢‡K wewl‡q w`‡Z ïi“ K‡i‡Q BwZg‡a¨B| BD‡ivcxq mvwnZ¨-‡`exi `yB ¯—b Ry‡oB ZLb ïayB cuyR, e`i³ Avi cP‡bi `yM©Ü| cÖ_g †Rgm eÛ Dcb¨vm Bqvb †d¬wgs-Gi ÔK¨vwm‡bv iq¨vjÕ, DBwjqvg †Mvwìs-Gi ÔjW© Ad `¨ d¬vBRÕ, Avi.†K.bvivqb-Gi Ô`¨ MvBWÕ, wf.Gm.bvBcj-Gi ÔG nvDm di wg÷vi wek¦vmÕ, †Wvwim †jwms-Gi Ô`¨ †Mv‡ìb †bvUeyKÕ, big¨vb †gBjvi-Gi ÔA¨vb Av‡gwiKvb wWªgÕ GmeB aŸs‡mi ïi“ ˆe †Zv bq| Avi GKev‡i nv‡j wgjvb Kz‡›`iv, †nv‡m mvivgv‡Mv, wKsev bvwMe gvndzR Nivbvi `y-GKRb‡K ev` w`‡j Ab¨ evwK mevB-B †Zv H c~wZMÜgq cPbkxj cÖwµqv‡K Z¡ivwY^Z Kivi AbyNUK gvÎ ; Zv †m †Rwd« AvP©vi-Gi Ô‡Kb A¨vÛ A¨v‡ejÕ-B †nvK, ev †R.†K.ivDwjs-Gi n¨vwi cUvi wmwiR| Avi GB aŸs‡mi ga¨ w`‡qB AK¬vš— hvÎvq, DËivaywbK evsjv mvwn‡Z¨i ÔGKv-Kz¤¢Õ n‡q i‡q hvb mywegj|

          evjK bwP‡KZv hg‡K cÖkœ K‡iwQ‡jb t Òg„Zz¨i A_© wK?Ó bwP‡KZvi mywegjwgkª‡K †`Lvi †mŠfvM¨ nq wb| n‡j wZwb eyS‡Zb, Rxeb wK ! g„Zz¨B ev wK ! mywegj‡K †`L‡j bwP‡KZv euvPvi A_© Av‡iv ¯úó K‡i eyS‡Zb|

          ‡`oLvbv Ni| 15 nvRvi g‡Zv eB| AmsL¨ K¬vwmK¨vj wgDwRK I c¨vivjvj wdj¥-Gi K¨v‡mU I wm.wW.| kZvwaK elx©qv e„×v gv| wb‡Ri ey‡Ki †cm‡gKvi| i‡³ wPwbi AvwaK¨ †_‡K cÖvq-weKj †Pv‡Li †iwUbv| wPwKrmv Kiv‡bvi evjvB †bB| gv-i Rb¨ `y‡ejv iuvavevov-evmbgvRv †_‡K ïi“ K‡i Nievwoi hveZxq ¯’~j KvRKg©, †hgb Kj w`‡q Rj bv co‡j gvBjLv‡bK `~i †_‡K Rj e‡q Avbv, B‡jKwUªK mvc­vB-Gi MÛ‡Mvj n‡j wgw¯—wi †W‡K mviv‡bv, M¨vm wmwjÛv‡ii cvBc wjK Ki‡j M¨v‡mi †jvK‡K Lei w`‡Z †QvUv, †Uwj‡dvb weKj n‡q †M‡j Awf‡hvM `v‡qi Ki‡Z †QvUv mswk­ó `߇i BZ¨vw` mg¯—B wb‡R Kiv, GKv Ges GKvB Ges GK`gB GKv, ey‡Ki †cm‡gKvi Z_v †Pv‡Li Avav-AÜZ¡‡K KuvPKjv †`wL‡q| w`‡b 18 †_‡K 20 N›Uv g‡Zv (Ny‡gv‡bvi mgq ev‡`) GBfv‡e Kzwj-gRz‡ii g‡Zv ‰`wnK cwikªg Ges hyMcr gvbwmK Pvc mgm¨v¸wji en~gyLxbZvi `iyb ; iv‡Z †h GKUz wbwð‡š— Ny‡gv‡eb ZviI †hv †bB ; Ges GBfv‡e w`‡bi ci w`b, w`‡bi ci w`b, w`‡bi ci w`b| Ges †jvKwUi eqm gvÎ 65 eQi| wbZvš—B UMe‡M Zi“Y| Avi Avðh©¨-†`‡k-A¨vwjm-Gi g‡Zv Ae¯’v nq Avgvi, hLb †`wL GB GZ wKQyi c‡iI †jvKUv cÖ‡Z¨K w`b c‡ob, †j‡Lb Ges fv‡eb|

          e¯‘Zt, mywegjwgkª †K, ev Zuvi †jLv wK Gme †evSv †Xi †Xi c‡ii e¨vcvi| ‡hK_v ejv nq †h, mvavib gvbyl †hgb ew¼gP‡›`ªi ‡jLv eyS‡Zv bv, KviY ew¼g wjL‡Zb cwÛZ‡`i Rb¨ ; †Zgb-B KgjKzgvi gRyg`vi wjL‡Zb ew¼gP‡›`ªi g‡Zv cvVK‡`i Rb¨| myweg‡ji mv‡c‡¶ ejv DwPZ, BD‡ivcxq †i‡bmuvm ïi“i mgq †_‡K AvR Aewa, e„nËi BD‡iv‡ci mg¯— cÖMwZkxj wkíx, mvwnwZ¨K, fv¯‹i, `vk©wbK, ivRbxwZwe`, wPš—vwe` cÖgyL mK‡j wg‡j GB 500 eQ‡i c„w_ex‡K hZLvwb GwM‡q wb‡q †M‡Qb, Ges mg‡qi †P‡q GwM‡q hv-hv ‡f‡e‡Qb, †mB mewKQy nu¨v nu¨v, †mB mewKQy, GKv K‡i ‡d‡j‡Qb mywegjwgkª, gvÎ 65 eQ‡ii g‡a¨| †mB wn‡m‡e myweg‡ji Rb¥v‡bv DwPZ wQ‡jv 2500 Lªxóv‡ãi Av‡kcv‡k †Kv‡bv mg‡q|

          evsjv mvwn‡Z¨i 700 eQ‡ii BwZnv‡m wZwbB GKgvÎ †jLK whwb dg© Ges fvlv wb‡q G·‡cwi‡g›U K‡i‡Qb, †njvq †Q‡j‡Ljv K‡i‡Qb me‡P‡q †ekx gvÎvq| †bwUf fvlvi wjwLZ mvwn‡Z¨I †h †KvjvR-gš—vR †UKwbK e¨envi Kiv hvq, ZvI cÖ_g †`wL‡q‡Qb wZwbB| DËivaywbK evsjv mvwn‡Z¨i `xb D‡Vv‡b wdj¥-j¨vs¸‡qR-Gi cÖ_g cÖ‡ek †Zv Zuvi †nb Avjcbv AuvKv c_ a‡iB| Avi hv hv ejv n‡q‡Q Ae¨ewnZ Av‡MB, †mB me hveZxq ¯’~j fqsKi mvsmvwiK cÖwZK~jZvi c‡iI mywegj‡K Av‡iv Av‡iv en~ jovB cÖwZw`b jo‡Z n‡”Q, cÖwZ g~n~‡Z© GB 65 eQi a‡i| mywegj wbQKB Ô‡eu‡P _vKvÕ-q wek¦vm K‡ib bv| wZwb Rxeb ÔhvcbÕ K‡ib| Zuvi †MvUv RxebUvB GKUv jovB GK Amg jovB| GB wgwWIKvi mgvR Ges GBme wgwWIKvi †jvKR‡bi gy‡L †n‡Mgy‡Z, cÖwZ c`‡¶‡c wb‡Ri Kwd‡b †c‡iK VyK‡Z-VyK‡Z Pjv|

          Avi jovB e‡j jovB ! eB‡qi †cÖvWvKkvb-K÷ †RvUv‡bv Pov-my‡` UvKv avi K‡i| Qvcvi KvMR wb‡R `i`¯‘i K‡i ‡Kbv †_‡K ïi“ K‡i, †Vjvq Pvwc‡q Zv wb‡q Avmv, gvq Qvcv, euvavB, ¸‡`vg Ni fvov Kiv B¯—K, GgbwK †Uwe‡j e‡m ¯^n‡¯— K¨vk‡g‡gv wj‡L eB †ePv GK †jLvUzKz ev‡`, evwK GB mg¯— ai‡bi KvRK‡¤§v mywegjwgkª Qvov, mviv `ywbqvq Ab¨ Avi †Kv‡bv †`‡ki †Kv‡bv fvlvi †Kv‡bv †jLK‡K, mviv Rxeb a‡i Aš—Zt Ki‡Z nq wb| GLv‡bI, mywegj GK I Abb¨| H †hK_v gv·© wj‡LwQ‡jb Zuvi Ôw_wmm Ab dz¨‡qievLÕ-G “The materialist doctrine that men are the products of circumstances and education, that changed men are therefore the products of other circumstances and of a different education, forgets that circumstances are in fact changed by men and that the educator must himself be educated.” mywegj †mB gvbyl †h GKv GKUv Av¯— Pvjy wm‡÷g‡K †njvq bm¨vr K‡i M‡o †Zv‡jb Zuvi wb‡Ri wm‡÷g Aejxjvq| cÖPwjZ e¨e¯’vi g‡a¨ wb‡R‡K wdU Kwi‡q †bIqvi ZvwM‡` wb‡Ri cÖZ¨½nvwb Kivi gvbwmKZvi fvBivm Zuv‡K civ¯— Ki‡Z cv‡i wb AvRI| †c‡i DV‡eI wK KL‡bv, †KvbIw`b? eis GB wm‡÷g-B D‡ë Zuv‡K mgxn K‡i, fq cvq ixwZgZb| mywegj‡K wKsev Zuvi †jLv‡K, Avi hvB †nvK, ÔcY¨Õ Aš—Zt K‡i Zzj‡Z GLbI wb`vi“b e¨_©B GB Zver †eRb¥v wm‡÷g me| Zuvi hveZxq MÖ‡š’ †jLv _v‡K Ô`vgÕ ev Ôg~j¨Õ bq, ÔwewbgqÕ kãwU, Ges GgbwK H gMR-gR`ywii msL¨vwUi ci ÒA_ev mywegj wgkªi cvVK n‡j hv nIqv DwPZ g‡b K‡ibÓ G‡nb kãeÜI| Zuvi eB Avi-me evRvix `ª‡e¨i g‡Zv Òmn‡R cvIqv hvq bv, me©Î cvIqv hvq bv|

          AvR †_‡K 20, 50, 100 ev GgbwK 200 eQi c‡iI, øvZK A_ev øvZ‡KvËi ¯—‡i evsjv fvlv I mvwn‡Z¨i wm‡jev‡m wewfbœ K‡j‡R-wek¦we`¨vj‡q hLb cvV¨ n‡e myweg‡ji eB, wKsev cov‡bv n‡e mywegjwgkª‡K Ô‡¯úkvj A_iÕ wn‡m‡e ; ZLbI GgbwK, †Kv‡bv emy-‡gŠwjK Z_v PµeZx©-P¨vUvRx©, Ômywegj wgkª ÷vwW MvBWÕ ev Ômywegj †bvUeyKÕ wj‡L DV‡Z e¨_©B i‡e| Avi †h‡nZz ZZw`‡b Avgv‡`i ‡`‡ki wk¶ve¨e¯’vI Avi GLbKvi g‡Zv mv‡Rkb-‡Kw›`ªK cÖ‡kœvËi gyL¯’-ewgi MÛx‡Z mxgve× _vK‡e bv, eis Avkv Kiv hvq †h Zv ZLb mgKvjxb BD‡iv‡ci wk¶ve¨e¯’vi g‡Zv cÖ‡qvM‡Kw›`ªK n‡q DV‡e ; †m‡nZz ev‡m-Uªv‡g-gq`v‡b-wS‡ji av‡i-K‡jR K¨vw›U‡b cix¶vi Av‡M G‡nb Av‡jvPbvI Aš—Zt †kvbv hv‡e bv KL‡bv, †h †M‡jvevi ÔnvivY gvwSÕ B¤úU©¨v›U wQ‡jv, Gevi Zvi gv‡b ÔMv‡W©‡b‡j­vf¨vRvBbvwjmÕ Avi ÔwmwK‡jeyÕ-i g‡a¨ GKUv Avm‡eB Avm‡e| mvM‡ii Gcv‡ii ew¼g †_‡K Icv‡ii R‡qm GB duv` Gov‡Z GuivI †hLv‡b A¶g, †mLv‡b myweg‡ji GB Ae¯’vb †`‡L †Zv IuivI †h Dòxl Z_v Uzwc Lyj‡ebB wbwðZ Zuvi mvg‡b, GK_v Avwg e­¨v¼ †P‡K mB Kivi g‡Zv †njvq wj‡L w`‡Z cvwi| AvR, GB 2008 mv‡j, hLb kir PvUz‡¾¨i Ô‡`e`vmÕ-Gi iOxb gjv‡U wnw›` wm‡bgvi bvqK-bvwqKvi Qwe †Q‡c eB‡gjvq wewµ evov‡bvi †Póv K‡i K-A¶i-‡Mvgvsm cÖKvkKiv, ZLb Zv †`‡L wUwKIjv weï×ev`x cwÛZiv me hZB †M‡jv-‡M‡jv ie ZzjyK Avi fyi“ †KuvPKvK I bvK wmuUKvK, Avwg Aš—Zt G‡Z wePwjZ †eva Kivi Kvib †`wL bv we›`ygvÎI| Av‡i G-‡Zv neviB wQ‡jv| G-B †Zv nevi wQ‡jv| GgbwU bv n‡jB eis Avwg AevK nZvg| †h kir PvUz‡¾¨ AvRxeb †Póv K‡iI ïayB m¯—v I RbwcÖq evwYwR¨K †jLv ˆe wKQy wj‡L DV‡ZB cvi‡jb bv, Ges GB Kvi‡bB, GgbwK †mB AvjLvj­v civ `vwoIjvwUi †P‡qI huvi eB‡qi wewµ wQ‡jv wPiKvjB en~-en~¸Y †ekx, eZ©gv‡bi G‡nb cuywRev`x wek¦vq‡bi hy‡M, †mB Avcv`g¯—K weµxZ kir PvUz‡¾¨ Gfv‡e Kgvwk©qvjvBRW n‡eb bv †Zv †K n‡eb ! †m A‡_© †Zv, Avgvi g‡b nq, Ôgqbvi gvÕ ev ÔivgvqY PvgviÕ-‡`i AvZ¥gh©¨v`v †ev‡ai mvg‡b kirevey `xbm¨ `xb| Avi †jLK mywegjwg‡kªi †Zv GgbwK GKLvbv Ava-jvB‡bi dzU‡bv‡Ui dzU‡bvU nIqvi †hvM¨ZvI mgMÖ kir-mvwn‡Z¨i ‡bB|

          mvΩ-i ‡QvUMí ÔG‡iv‡¯¿ZvmÕ-Gi bvqK †cvj Bjevi †hgb wj‡LwQ‡jv Zuvi †mB wPwVi †k‡l, †h wPwVi eqvb GKB wQ‡jv 102 Rb L¨vZbvgv divmx †jL‡Ki wVKvbv †jLv cÖwZwU Lv‡gi Kwc‡Z ÒwKš‘ GB †klevi| Avcbv‡K ejwQ Avwg, gvbyl‡K fv‡jvevmyb, Avi bq‡Zv gvby‡li g‡a¨ †_‡K hv‡Z mevi Aj‡¶¨ m‡i co‡Z cv‡ib, Zvi e¨e¯’v Ki“b| Avwg Aek¨ m‡i co‡Z ivwR bB| wkMwMiB Avwg wifjfvi nv‡Z iv¯—vq †b‡g co‡ev, Ges Avwg †`L‡Z PvB †KD I‡`i wKQy Ki‡Z cv‡i wKbv| we`vq ! nq‡Zv Avcbvi m‡½B †`Lv n‡e Avgvi| Avcwb ZLb †UiI cv‡eb bv KZ Abvqv‡m Avcbvi gv_vi wNjy Avwg evi K‡i ‡`‡ev| Avi Zv hw` bv nq ‡m m¤¢vebvB †ekxZ‡e Kvj‡Ki Le‡ii KvMR co–b| †mLv‡b Avcwb †`L‡Z cv‡eb, †cvj Bjevi bv‡g GKRb †jvK, nVvr iv‡Mi ekeZx© n‡q, eyjfvi G`Mvi-Ky¨Bbr-G QÕRb c_Pvix‡K Lyb K‡i ‡d‡j‡Q| msev`c‡Îi M‡`¨i gv‡b Avcwb A‡b¨i †P‡q †ekx fv‡jv Rv‡bb| Avcwb Z¶zwY ey‡S †dj‡eb †h Avwg Av‡`Š Ôiv‡Mi ekeZx©Õ nB wb| eis Avgvi gv_v h‡_ó VvÛv wQ‡jv Ges Avcbvi Kv‡Q GB cÖv_©bv †h, Avgvi GB wewkó g‡bvfve‡K Avcwb ¯^xKvi K‡i ‡b‡eb|Ó

          mywegj-I †Zv †ZgbB wkKvi K‡i ‡eov‡”Qb AK¬vš—, Zuvi Kjg nv‡Z, Zuvi wb‡Ri kni GB †KvjKvZvi R½‡j| wZwbI bvivR, wcV †`wL‡q cvwj‡q †h‡Z| Ges Zuvi Kj‡gi †Kv‡c hLb wZwb Lye‡j †bb cvVK-cvwVKvi a~mi †Kvl, Zuviv GgbwK †Ui cvIqvi my‡hvMUzKzI ‡c‡q DV‡Z cv‡i bv †h KLb Zuv‡`i g„Zz¨ n‡jv| Zuvi ÔAvÛviMÖvDÛÕ-B GB hveZxq cÖwZ-wec­ex mv‡ev‡UR-Gi GK A‡gvN AuvZzo Ni| †ivR ga¨iv‡Z GLv‡bB fxo Rgvq, G‡K-G‡K G‡m Rgv‡qr nq, Zver Meursault, Gregor, Roquentin, Berenger, Leopold, Malone, Plume―iv me, Kvgy-KvdKv-mvΩ-Av‡qv‡b‡¯‹v-R‡qm-‡e‡KU-wg‡kv cÖgyL Zuv‡`i ev‡c‡`i nvZ a‡i| wg‡jwg‡k GKvKvi n‡q hvq cÖvP¨ Avi cvðvZ¨| Ggb AuvZzo †_‡K G‡nb mywegj‡K †Mvi¯’v‡b cvVv‡e †K? mK‡jB wb‡Ri eyK w`‡q AvM‡j iv‡L mywegj‡K| g„Zz¨ Zuvi Av¸qvb cv evwo‡qI _g‡K `uvovq| Awbwg‡L `¨v‡L| †`L‡ZB _v‡K| Zuvi cjK c‡o bv !

(4)  A_ev  mywegjwg‡kªi  cvVK  bv  n‡Z  n‡j , hv  bv  n‡jB  bq
          “A writer is not someone who expresses his thoughts, his passion, or his imagination in sentences, but someone who thinks sentences : A sentence-thinker.”
[ Roland Barthes ]

          kã, ‡Ku‡c IVv, ¯^i, wejvc Avi AvZ©bv`, mywegj ïb‡Z cvq, mf‡q BwZDwZ Pvq, Zrci †`n P‡j hvq, ayKcyKvwb, †cvKviv Ges Zv‡`i ‡¶vf, †mB mewKQy hv Zviv †L‡q †d‡j‡Q, †eovj Avo‡gvov fv‡½, †`n †gvPovq, GKUv myo½, Zv‡Z µgvMZ †muwa‡q Avm‡Z _vKv g„Zz¨i Zocvwb, nqivwbi Ici nqivwb, Avi KzKziUvi †cU †e`g dz‡j I‡V, †mB meKUv g„Zz¨ hv‡`i †m wM‡j †L‡q‡Q Zv‡`i nvo-gvs‡m, Zv‡`i †kl PxrKvi¸‡jv †m nRg K‡i DV‡Z cv‡i bv, Gevi KzKziUvi †eXc Kvbœvi AvIqv‡R g„Zz¨‡`i ‡MvOvwb AveQv n‡q †h‡Z _v‡K, GgbwK †jLK, †mI nuvU‡Z _v‡K, Zuvi gM‡R A-my‡Li kxrKvi cÖwZaŸwbZ nq, mywegj fv‡e ÒAvgvi wK LvIqv _vwg‡q †`Iqv DwPZ? Avi †Póv Kiv DwPZ Av‡jv n‡q IVvi !Ó wKš‘ Zuvi †PvL Gevi eyfy¶z n‡q c‡o, Avi Zuvi gMR, Qywii djvq †Mu‡_ wb‡Z Pvq wb‡R‡K, †m †kv‡b, †duvcvq, †Nuvr †Nuvr, †Kvcvq †Kvcvq, †Nuvr †Nuvr, †duvcvq †duvcvq, Kuv`‡Z Kuv`‡Z nuv‡U Avi †Kvc gv‡i, GBfv‡eB †Pv‡Liv Zv‡`i AÜZ¡ wd‡i cvq, Avi Kv‡biv, Zv‡`i ewaiZv, mywegj wUi¨v‡bvmivm . . .

          A_ev mywegj wgkªi cvVK n‡j hv nIqv DwPZ g‡b K‡ib . . .

          ‡mB †UwiwdK hy×, †PuPv‡gwP, nBPB, en~ Kv‡bi c`©v †d‡U hvq, kã †_‡K euvP‡Z A‡bK †`Iqvj wb‡R‡`i aŸwm‡q †`q, ¸wj Pj‡Z _v‡K, †hgb K_v wQ‡jv, AvNvZ-bv-cvIqv †PvL¸‡jv Av‡iv Av‡iv Lybx n‡q I‡V, ey‡jUiv †h hvi wb‡Ri wb‡Ri iv¯—vq †QvUvQywU K‡i, cv_i-gvwU-Pvgovi †Wjv, cvK¯’jx, gM‡Ri wNjy, †hgb wbqg Avi wK, †Pv‡Liv i³ `¨v‡L, †Wªb-cvB‡ci NyjNywj †_‡K DuwK †g‡i, Kv`vq _ye‡o cov gyL, Rxe‡bi gy‡Lvk ˆZixi cÖqvm, m~‡h©i kix‡ii Pvgovq nvZ eywj‡q †kLv, mg¯— cvÛywjwc, nv‡Z D‡V Avmv gM‡Ri wNjy, Mv‡Qi gv_vq †nu‡U †eov‡bv cv‡qiv, hZ¶Y bv evi“` dzwi‡q hvq, Pig K¬vwš—, Avi hv c‡o _v‡K Zv `¨v‡L wK c‡o Av‡Q, Zvici mevB †duvcvq, ev e‡m c‡o, †duvcv‡Z †duvcv‡Z K¬vš— n‡q, ev ï‡q c‡o, GZ AvnZ †h †duvcv‡ZI cv‡i bv, ‡auvqv m‡i ‡M‡j me ¯úó †`Lv hvq, Ggb cÖvqB NU‡Zv Av‡M, c‡iI cÖvqB NU‡e, en~ en~ evi, webv Avqv‡m, nvo‡Mvo †hb Wvjcvjv, i³ †hb Rj, AvZ©bv` †hb wb¯—×Zv, Kv`vq cv‡qi Qvc, †cU duy‡o Pvwj‡q †`Iqv ¸wj, †`kjvB‡qi KvwV R¡vjv‡bvi g‡Zv, 500 UvKvi †bvU wQu‡o †djvi g‡Zv, c„w_exUv‡K dvwU‡q UzK‡iv UzK‡iv UzK‡iv UzK‡iv K‡i †`Iqv †hb nvwi‡q-hvIqv-Pvwei-Zvjvq-eÜ ‡eWi“‡gi `iRv †f‡½ †djv, GK AvQv‡o †Pqvi †f‡½ †djvi g‡Zv, iv‡M cwikªvš— n‡q wb‡R‡K we‡ùvwiZ K‡i LÛ-weLÛ K‡i †djvi g‡Zv, webv Avqv‡m, mywegj me `vq wb‡Ri Nv‡o †bq, GKUv cvZvI b‡o bv, †KD nv‡m bv, myweg‡ji hy×-weeiYx . . .

          A_ev mywegj wgkªi cvVK n‡j hv nIqv DwPZ g‡b K‡ib . . .

          mywegj †Kv_vq? mywegj ‡cuPvi g‡Zv Nvo bv‡o, mywegj †Kv_vq? mywegj weQvbvq jywK‡q c‡o, ZQbQ Kivi Rb¨, mywegj †Kv_vq? mywegj wb‡Ri †Pqv‡i e‡m wb‡RiB bv‡g eo-eo MvjM‡àv gv‡i, mywegj †Kv_vq? mywegj gvSiv‡Z wPj-‡PuPvq, †`Iqv‡j _vev gv‡i, mywegj †Kv_vq? mywegj kΓi Lywj‡Z Kj‡gi †Kvc gv‡i, mywegj †Kv_vq? mywegj GKUv e¨vO‡K a‡i µzkwe× K‡i gvB‡µv‡¯‹v‡ci †j‡Ýi wb‡P, DuwK †g‡i `¨v‡L Zvi gM‡R wK Av‡Q, mywegj †Kv_vq? mywegj Ck¦i‡K Lyb K‡i Zuvi †fZiUv evB‡ii w`‡K Avi evB‡iUv †fZ‡ii w`‡K K‡i ‡iv‡` Szwj‡q †`q, Zuvi Pvgovi iO †Pbevi Rb¨, mywegj †Kv_vq? mywegj we‡K‡ji RjLvev‡ii Rb¨ c„w_exUv‡K Sj‡m †iv÷ evbvq, mywegj †Kv_vq? mywegj k~b¨Zv‡K PveKvq, µgktB nvwi‡q †h‡Z _vKv Zviv‡`i ‡PuwP‡q Mvj cv‡o, mywegj †Kv_vq . . .

          A_ev mywegj wgkªi cvVK n‡j hv nIqv DwPZ g‡b K‡ib . . .

          `uv‡Z `uvZ Pvcv k³ †Pvqvj, †Póv K‡i P‡j, ‡hgbfv‡e gv †Póv K‡i `ycv‡qi duvK w`‡q wkï‡K †V‡j †ei K‡i w`‡Z, ev B‡jKwUªK †Pqv‡i e‡m Mv Gwj‡q w`‡q Avivg Kivi †Póv, Lywj‡`i kvwš—-wgwQ‡j . . .

          A_ev mywegj wgkªi cvVK n‡j hv nIqv DwPZ g‡b K‡ib . . .

          Ò‡ekÓ mywegj e‡j ÒcÖ_‡g wK?Ó, kqZvb bvK WvKvq, Ò‡Kvbw`‡K?Ó mywegj cÖkœ K‡i ÒcÖ_‡g †Kvbw`‡K?Ó, kqZv‡bi KuvaUv cvnvo n‡q hvq, †mLv‡b mywegj D‡o wM‡q e‡m, ÒG‡mvÓ mywegj Wv‡K Òe¨cviUv Av‡jvPbv Kiv hvKÓ, kqZvb ï‡qB _v‡K, mywegj `uvZ w`‡q kqZv‡bi ürwcÛUv wQu‡o Av‡b Avi wM‡j Lvq, kqZvb Gevi Dcyo n‡q †kvq, myweg‡ji ey‡K GKUv KuyR MwR‡q I‡V Avi †m †evev n‡q hvq, kqZvb Av‡iv †ekx ejkvjx n‡q I‡V, mywegj mvg¨ev` . . .

          A_ev mywegj wgkªi cvVK n‡j hv nIqv DwPZ g‡b K‡ib . . .

          GKUv k‡ãi Lei Av‡m, mywegj `¨v‡L kãUv gvbyl‡`i Lyb Ki‡Q, †m †cU f‡i Lvq, †m `¨v‡L kãUv eyj‡WvRv‡ii g‡Zv kni¸‡jv‡K aŸsm¯—~‡c Muywo‡q †`q, †m GeviI †cU f‡i Lvq, †m `¨v‡L kãUvi ¸-gyr gnvmvMi¸‡jv‡K †bvsiv K‡i ‡`q, †m j¶¨ K‡i P‡j, ‡m `¨v‡L kãUvi wbtk¦vm gnv‡`k¸‡jv‡K R¡vwj‡q KvVKqjvi g‡Zv Kv‡jv K‡i ‡`q, †m GKUz `~‡i D‡o wM‡q gyr‡Z e‡m, kãUv wb‡Ri iv¯—vq Pj‡ZB _v‡K, ïayB gyL, Kvb †bB, †PvL †bB, mywegj `¨v‡L kãUv kni¸‡jv‡K Pz‡l Lvq, †ek¨vi ¯—‡bi g‡Zv, GK †Xuv‡K wM‡j †bq mg¯— gvbyl¸‡jv‡K, me nRg K‡i ‡bq kãUv, ¶zavZ© kãUv Gevi Zvi AwZKvq †VuvU`y‡Uv w`‡q Av¯— c„w_exUv‡K Pzl‡Z ïi“ K‡i, Avi e¨_© nq, mywegj †ev‡S †h gvbyl Qvov Avi wKQyB kãUv nRg K‡i DV‡Z cv‡i bv, Zvici GKmgq mywegj `¨v‡L, †h kãUv GKUv ïwK‡q hvIqv †bvbv n«` n‡q hvq, Avi †mB ïK‡bv n«‡` c‡o Av‡Q ïay gvby‡li byb-gvLv‡bv nvo‡Mvo¸‡jv, mywegj cvqPvwi Ki‡Z Ki‡Z ¸b¸b K‡i myi fuv‡R, GKUv `yN©Ubv . . .

          A_ev mywegj wgkªi cvVK n‡j hv nIqv DwPZ g‡b K‡ib . . .

          kãiv Rxebwegvi cwjwmi mv‡_ Av‡m, mywegj jvk n‡q hvIqvi fvb K‡i, kãiv loh‡š¿i wbwðZ Avk¦vm wb‡q Av‡m, mywegj Db¥v` n‡q hvIqvi fvb K‡i, k‡ãiv m‡½ wb‡q Av‡m e­¨v¼ †PK, †Kvgi Rwo‡q †U‡b †bq nvivY gvwSi weaev †eŠ-Gi gov‡K, kãiv Av‡m Avjvw`‡bi Avðh©¨ cÖ`xc wb‡q, Zvici Zv †e‡P w`‡q †K‡b g¨vK‡Wvbv‡ìi wcrRv, kãiv G‡m mvwi †eu‡a `uvovq cici, nvoKvUv Mwj‡Z jvBb w`‡q c‡_i `yav‡i `uvwo‡q _vKv dz‡Uv‡`i g‡Zv, mywegj wb‡Ri eÜz‡`i Wv‡K, kãiv Av‡m H me dz‡Uv †_‡K wcPwKwii g‡Zv †ewi‡q Avmv R‡ji mv‡_, mywegj øvb K‡i, kãiv Av‡m wc‡c fwZ© g` wb‡q, mywegj †Pv‡L Vywj c‡o †cuqvR Qvov‡Z e‡m, wkm †`q, kãiv Zuv‡K Avµgb K‡i, ‡m cvËv †`q bv, kãiv Zuv‡K wN‡i a‡i, ‡m Xyj‡Z ïi“ K‡i, wb‡Ri †Vuv‡U †UvKv gv‡i, ‡VuvU Pzj‡Kvq, GK-GK †XuvK f`Kv Lvq Avi biK‡K ab¨ev` Rvbvq, kãiv Gevi wcQy nV‡Z _v‡K, nVvr mf‡q, †muwa‡q †h‡Z _v‡K GK g„Z fuv‡oi Lywj‡Z, mviv `ywbqv‡K wb‡R‡`i m‡½ wb‡q, wKš‘ `ywbqvi †KDB e¨vcviUv †Lqvj K‡i bv, mywegj nvB †Zv‡j, en~-en~Kvj Av‡M †m GKw`b GB Lvwj LywjUv‡K Zz‡j wb‡qwQ‡jv . . .

          A_ev mywegj wgkªi cvVK n‡j hv nIqv DwPZ g‡b K‡ib . . .

          mywegj †ev‡S †h kqZvb Zuv‡K †øn K‡i, bZzev Zuvi g„Zz¨ n‡Zv, mywegj G-I †ev‡S †h Ck¦i `yÕRb, GKRb wb‡RB AciR‡bi †P‡q †ekx kw³kvjx, Avi Av‡iKRb AciR‡bi kΓ‡`i e‡j ejxqvb, Z‡e c„w_exi mg¯— A¯¿ i‡q‡Q wKš‘ kqZv‡bi Kv‡QB . . .

(5)  wewaewnf©~Z  weÁvcb  t  eB  nB‡Z  mveavb  ( Qvcvq  fyj  †bB )
                   “This is not a book, in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of Art, a kick in the pants of God, Man, Destiny, Time, Love, Beauty . . . what you will.”
[ Henry Miller ]

          mywegjwg‡kªi ‡jLv co‡Z wM‡q Avgiv gy‡LvgywL nB Ggb GK †jL‡Ki, whwb wb‡RB mZZ i‡q‡Qb GK `c©‡Yi QÙ‡e‡k| Avgiv hZB gwiqv †Póv PvjvB Zuvi Avmj gyL †`L‡Z, hZevi Avgiv Suy‡K cwo wewfbœ m¤¢ve¨ †KŠwbK Ae¯’vb †_‡K Zuv‡K wVKVvK †Pbevi Rb¨, hZB Avgiv myweg‡ji wfZ‡ii mywegjUvi nuvwo †f‡O w`‡Z PvB nv‡Ui gvSLv‡b ; cÖwZeviB Avgv‡`i mg¯— †Póv †kl nevi ci Avgiv wb‡R‡`i mvg‡b `uvwo‡q _vK‡Z †`wL Avgv‡`iB cÖ‡Z¨‡Ki GKvwaK fv‡jv, g›` Avi KzrwmZ gyL¸‡jv, hv Avgv‡`i ARv‡š—B Avgv‡`i w`‡qB LuywR‡q wb‡q‡Qb ¯^qs mywegjB| Zuvi mgmvgwqK Avi me byoKzr †jLK-‡jwLKv, hv‡`i hveZxq †jLv‡jwL cÖK…Z cÖ¯—v‡e Zv‡`i wb‡R‡`i wbZ‡¤^i I ey‡Ki wefvwRKv cÖ`k©‡bi †ekx wKQy n‡q DV‡Z ¶g nq wb Ghver, Zv‡`i m‡½ GLv‡bB mywegjwg‡kªi dvivK| GLb, GB 2008 mv‡j, ÔWvK cv‡o I-J / fvZ Av‡bv eo †eŠÕ-DËi cÖR‡b¥i mgv‡R hLb Ôev‡ivfvZvixÕ Avi †LDo c`evP¨ bq ; AvR, hLb nxiK iv‡R¨ kvw¯— ïay GKUvB, Avi Zv n‡jv ÔgMR-‡avjvBÕ ; ZLb GKgvÎ myweg‡ji Rb¨B †hb, mK‡ji Aj‡¶¨, gvSivwˇi, Puv‡`i Kv‡¯—, Av‡¯—-Av‡¯— aviv‡jv n‡q I‡V|

          ‡n‡Mj Zuvi Ô`¨ ‡d‡bv‡g‡bvjwR Ad w¯úwiUÕ-G gvby‡li AvZ¥-‡PZbv e¨vL¨v Ki‡Z wM‡q e‡jwQ‡jb, †h gvby‡li hveZxq wPš—v-fvebvi wcQ‡b KvR K‡i GK ÔbvKP-ZË¡Õ ev ÔwcÖwÝcj Ad †b‡MkbÕ, hv cÖ‡Z¨K w_wmm-Gi wecix‡Z GK wecÖZxc, bvKP-cÖeY A¨vw›Uw_wmm-Gi Rb¥ †`q, hv †_‡K Avevi M‡o I‡V GK wmb‡_wmm hv cÖ‡Z¨K bvKP-cÖeY A¨vw›Uw_wmm-‡KI bvKP K‡i ‡`q| myweg‡ji Zver ‡jLv‡jwLi g‡a¨I wVK GKB fv‡e Kvh©¨Kix nq GB ÔwcÖwÝcj Ad †b‡MkbÕ hvi d‡jB Zuvi cÖwZwU bvKP-cÖeYZv wbiš—i fvOv I Movi ga¨ w`‡q Zuvi †jLv‡K K‡i †Zv‡j m`v-wbgx©qgvb Z_v m`vB mgmvgwqK| Avi GB wbwi‡LB Zuvi †jLvi mv‡c‡¶ P~ovš— mZ¨ †m K_vI, hv e‡j‡Qb mgv‡jvPK w_I‡Wvi A¨v‡Wv‡b©v Zuvi ÔGm‡_wUK w_IwiÕ-‡Z t “In empirical reality the negation of the negative is hardly ever affirmation, yet in the aesthetic sphere this dialectical maxim bears some truth : The power of immanent negation is not shackled in subjective artistic production as it is externally.” e¯‘Zt, ‡Kv‡bv mvwnZ¨ cÖK…ZB EËivaywbK n‡q I‡V ZLbB, hLb †mB mvwn‡Z¨i Ôdg©¨vj j¨vs¸‡qRÕ ev †cvkvKx fvlv, ¯^Ztù~Z©fv‡e cÖwZwµqvkxj n‡q I‡V ZviB wb‡Ri Ôdg©¨vwjwU Ad j¨vs¸‡qRÕ ev fvlvi †cvkvKxcbvi wei“‡×| Avi GB Ø›Ø †_‡KB M‡o I‡V GK bZzb ÔwWKkbÕ, hv cÖgvY K‡i †h EËivaywbKZv ZZ¶Y ch©¨š— cÖkœvZxZ bq, hZ¶Y ch©¨š— bv Zv me mxgv Qvwo‡q hvq ; eis Zv cÖkœvZxZ n‡q I‡V GKgvÎ ZLbB, hLb wPš—v-fvebvi mg¯— m¤¢ve¨ mxgvbv AwZµg K‡i Zv †cuŠ‡Q hvq ZZ`~i, ‡hLv‡b cÖwZ c‡`-c‡` Abyf~Z nq m„÷ mvwn‡Z¨i H fvlvi Avf¨š—ixb avivevwnKZvi GK AvcvZt-Abycw¯’wZ| myweg‡ji A¨vw›U-Dcb¨v‡mI fvlvi G‡nb Ø›ØB Zuv‡K I Zuvi †jLv‡K K‡i †Zv‡j ¯^Zš¿| Avi G-K_vI ‡Zv A¨v‡Wv‡b©v-B e‡j‡Qb, †h “Only works that expose themselves to every risk, have the chance of living on ; not those that out of fear of the ephemeral, cast their lot with the past.”

          myweg‡ji ‡jLvq, †Pv‡L KuvKo-evwj covi g‡Zv hv evisevi Avgv‡`i KwY©qvq R¡vjv aivq, Zv n‡jv Zuvi c~e©m~ix, mgmvgwqK Ges †Kv‡bvwUB bq, Ggb †jLvcÎ †_‡K g~n~g©~n~ DׄwZ I ÔKvUÕ| Zv †m GwiK d«g-Gi ÔAvU© Ad jvwfsÕ (`uvovb mg‡ikemy fihyeZxi QvwZ n‡q) ev divmx †_‡K Ai“Y wg‡Îi Kiv †jwb‡bi KweZvi Abyev` (wmwdwjm n‡jI †jwbb †jwbbB), ¸i“m`q `Ëi cUzqv-m½xZ (gnvwbM©ªš’xq) A_ev cvZvi ci cvZv eUZjvi c‡b©vMÖvwd (†P‡U Pz‡l wPwe‡q wM‡j), Aviwgb nvigvb-Gi Ô`¨ wbD wdwR· t `¨ i“¨U BbUz¨ `¨ A¨vUwgK GRÕ I weRq ¸ßi ÔcÙvcyivYÕ (Iqvb cvBm dv`vi gv`vi) wKsev †Rgm R‡qm-Gi Ôwd‡bMvÝ I‡qKÕ I wbwl× e¨w³MZ WvwU© ‡jUvim, wg‡kj dz‡Kv-i Ôwnw÷ª Ad †m·y¨qvwjwUÕ Avi AvjgevwM‡ki ¸ß Zš¿we`¨vi MÖš’, gvq ¸ß‡cÖm cwÄKv †_‡K weevne¨e¯’v-M„ncÖ‡e‡ki RwgPv‡li ïfvïf dj-nuvwP I wUKwUwK cZ‡bi djvdj Ges m‡e©vcwi ARmª msev`c‡Îi †nWjvBb Z_v Lei (†cuv‡`i ¸ wZb RvqMvq jv‡M) hvB †nvK bv †Kb, wKQy‡ZB myweg‡ji Ai“wP †bB ; Zuvi MwZwewa me©ÎB Aeva| cÖK…Z cÖ¯—v‡e, EËivaywbKZvi ÔKb‡mÞÕ GB cÖv_wgK kZ©B Av‡ivc K‡i, †h m„w÷i hv gva¨g, Zvi Dci mª÷vi mym‡PZb wbqš¿Y _vK‡ZB n‡e me©`v| Mr-euvav Ôb¨v‡iwUf †UKwbKÕ-G, †hLv‡b Aweivg Pj‡QB Mí ev NUbvi NbNUv, †mLv‡b †jLK cy‡ivcywi bv n‡jI h‡_ó gvÎvqB Amnvq, wb‡Ri GB wbqš¿Y envj ivL‡Z| evwYwR¨K m„w÷ Avi ˆkwíK m„w÷i Zdvr-I GLv‡bB| †jLvi gva¨g ev cš’v-‡K ÔG·wUªgÕ-G wb‡q hvIqvi GB cÖ‡qvRbxqZv, Avm‡j †jLvi Dcv`vb ev Ô‡g‡UwiqvjÕ evQvB‡qi mv‡c‡¶ †jL‡Ki ¯^Kxq wbqš¿Y eRvq ivLvi cÖ‡qvRbxqZvI e‡U| Avi GB cÖ‡qvRbxqZvi ZvwM`B Dcv`vbMZfv‡e c„_K K‡i †`q GKwU EËivaywbK †jLv‡K, GKwU Mr-euvav †jLvi †_‡K| bv›`wbK weP¶YZv GB `vweB K‡i, †h cÖwZwU m„w÷i Ôgva¨gÕ ev Ôcš’vÕ †hb †mB gva¨gwUi š^KxqZv‡ZB ¯^Zš¿ n‡q I‡V, Ges wb‡Ri H ˆewkó¨MZ Ae¯’vb †_‡K mvwnZ¨m„w÷i ‡mB D‡Ïk¨ wm× Ki‡Z cv‡i, hv Ki‡Z ÔMr-euvav gva¨gÕ A¶g I e¨_©| cÖ‡Z¨K Zvrch©¨c~Y© †jLvB Zvi Dcv`vb ev Ô‡g‡UwiqvjÕ I gva¨g ev Ô‡UKwbKÕ-Gi †h Qvc †d‡j †i‡L hvq wcQ‡b, Zv‡K Abymib K‡iB ˆZix n‡q I‡V EËivaywbKZvi msÁv| Avi GB Dcv`vb Ges gva¨g-Gi e‡jB cÖwZwU wewkó †jLv Quy‡q †dj‡Z ¶g nq m„w÷kxjZvi †mB m‡e©v”P ¯—i, †hLv‡b ÔµvBwmm Ad wµ‡qkbÕ ev m„w÷i msKU-B n‡q I‡V bv›`wbK weP¶YZv ev ÔGm‡_wUK i¨vkbvwjwUÕ-i D‡ëv wcV| wVK GB msKU-B cÖKUZi n‡q I‡V cvV‡Ki mv‡c‡¶I, hLb †m myweg‡ji eB‡qi †MvUv cvZvRy‡o †jLv _vK‡Z `¨v‡L t ÒwVK wK ai‡bi wecbœZv †_‡K ˆZix nq GKRb †jLK?Ó (†P‡U Pz‡l wPwe‡q wM‡j)

          Avi SuywK †bevi GB †h cÖ‡qvRbxqZv, G †Zv ev¯—evwqZ nq ÔG·‡cwi‡g›UvjÕ n‡q IVvi cÖeYZv †_‡KB, hv wKbv mª÷vi m‡PZbZviwnZ m„w÷-c×wZi aviKvQ ch©¨š— bv gvwo‡q, D‡ë eis m„w÷i Dcv`v‡bi Ici Zuvi mmZK© wbqš¿Y‡KB BÜb †hvMvq| GB Uª¨vwWkb-we‡ivax cix¶vg~jK gvbwmKZvi Afv‡eB †h AvR mviv wek¦ Ry‡oB mvwn‡Z¨i Ggb `yw`©b Pj‡Q, G-K_vI A¨v‡Wv‡b©v e‡j‡Qb †Kv‡bv XvKXvK-¸o¸o bv K‡iB, AZ¨š— ¯úó I mvejxj Rev‡b t “Currently official culture grants special funds to what it mistrustfully, half hoping for failure, calls artistic experimentation, thus neutralizing it. Actually, art is now scarcely possible unless it does experiment. The disproportion between established culture and the level of productive forces has become blatant : What is internally consistent appears to society at large as a bogus promissory note on the future, and art, socially dispossessed, is in no way sure that it has any binding force of its own. For the most part, experimentation takes shape as the testing of possibilities, usually of types and species; it therefore tends to degrade the concrete work to a mere example.” ev¯—‡e, GB me-mewKQyB ‡Zv K‡i P‡j‡Qb mywegj Zuvi Zver †jLv‡jwL‡Z| Ges me‡P‡q eo K_v, A¨v‡Wv‡b©v mv‡ne cÖqvZ nIqvi c‡ii eQi hLb Gme K_v cÖ_gev‡ii Rb¨ cÖKvwkZ n‡”Q 1970 mvj bvMv`, ZviI Aš—Zt wZb eQi Av‡MB ïi“ n‡q wM‡q‡Q KjgevR myweg‡ji ÔG·‡cwi‡g›UvjÕ Kv‡ßbx|

          GZver Zuvi †jLvi wei“‡× me‡P‡q eo Awf‡hvM hv en~PwP©ZI, Zv nq GB, †h Òmywegj wg‡kªi ‡jLv `y‡e©va¨Ó| e¯‘Zt, †h‡Kv‡bv cÖK…Z wkíK‡g©i Db¥v`bv Zvi AvcvZt-ÔBii¨vkbvwjwUÕ-i Aš—jx©b Ôi¨vkbvwjwUÕ-‡KB AwaKZi gvÎvq wPwýZ Ki‡Z Pvq| Avi Ôdg©Õ-Gi GB Db¥v`bvi gva¨‡gB †Zv †m †jLv ¯^qs fvlvi m`„k n‡q I‡V| GKB m‡½ hyMcr †m wb‡`©k K‡i Zv, hv ejv n‡q‡Q, Ges GgbwK Zv-I, hv ej‡Z PvIqv n‡q‡Q A_P ejv hvq wb, †hb wcQ‡j †ewi‡q †M‡Q| †m A‡_© cÖwZwU cÖK…Z m„Rbkxj †jLvB †Zv n‡q I‡V GK-GKwU Ôd¨vjvmxÕ| Zvi AvcvZt ¯^-we‡ivax Z_v AvZ¥-bvKPKvix Dcv`vb¸wji g‡a¨B mh‡Zœ †jLK KZ©…K wbwnZ nq Zv, hv †mLv‡b Abycw¯’Z, hv i‡q‡Q Zvi evB‡i, hv ejvB n‡q I‡V wb †mLv‡b A_©vr, GKK_vq, hv i‡q‡Q ÔBb-weUy¨Bb-`¨-jvBbmÕ| †jLvi H Dcv`vbmg~‡ni g‡a¨ wbwnZ _v‡K, GgbwK aviYv K‡i ‡bIqvi ev Av›`vR K‡i ‡bIqvi AeKvkI, hv cÖ‡Z¨K cvVK-cvwVKv‡K my‡hvM K‡i †`q ‡jLvwUi GK-GKwU ¯^Zš¿ A_©en wewfbœ AwfgyL D‡b¥vwPZ Kivi, Ges Gfv‡eB mv_©KZv cvq †jLvwUi en~gvwÎK n‡q IVvi cÖwµqvwU| GB hv-wKQy hveZxq bv-ejv †_‡K ‰Zix nq GK ai‡bi k~b¨Zv, hv Avm‡j ÔKjg-cÖm~Z-fvlvÕ I Ôgw¯—®‹-cÖm~Z-wPš—vÕ-i GK AvcvZt-Amgvavb‡hvM¨ Ø›Ø| cÖK…Z cÖ¯—v‡e, GB Ø›ØB wb‡`©k K‡i †`q, wjwLZ fvlv hv ej‡Z Pvq Ges H fvlvi mxgve×Zvi Kvi‡bB hv ej‡Z AcviM nq Zv, †mB Øvw›ØK Ae¯’vbmg~n| Avi GBLvb †_‡KB mvwnZ¨ AMÖmi nq DËivaywbK n‡q IVvi c‡_| fvlvi GB mxgve×Zv‡KB my`¶fv‡e e¨envi K‡i ‡mB mxgve×Zv AwZµg Kiv G †Zv Zver we‡k¦i nv‡Z †Mvbv K‡qKRb KjgevR Qvov †KD wVKVvK K‡i DV‡ZB ¶g nb wb AvR ZK| Avi evsjv mvwn‡Z¨ †Zv †nb msL¨v bMY¨m¨ bMY¨| †mB †cÖw¶‡Z wePvi Ki‡j mywegj GK Z_v AwØZxq|

          Avm‡j, mKj cÖK„Z m„Rbkxj †jLvB GK-GKwU †nuqvwj ‰e †Zv bq ! Avi hLb Zv †Kv‡bv evZ©v Awfe¨³ K‡i, Ges Zr¶Yvr-B, †mB Awfe¨w³‡KB H GKB wbtk¦v‡m i` K‡i, ZLb G †_‡K wba©vwiZ n‡q hvq hv, Zv nq fvlvi mv‡c‡¶ mvwn‡Z¨i-‡nuqvwjcbvi m„RbkxjZv Z_v ‰e`»¨| Zv bv n‡jB, mg¯— mvwnZ¨Kg©B “What’s it for?” GB AvcvZt-wbixn cÖ‡kœi mvg‡b Amnvq I wbi“Ëi n‡q c‡o ; Ges Zv‡`i GB ¯—×ZvB cÖgvY K‡i ‡`q †h Zviv cÖK…ZB g~j¨nxb I wbi_©K| ev¯—‡e, †Kv‡bv †jLv hLb wb‡R‡K cy‡ivcywi D‡b¥vwPZ K‡i cvV‡Ki mvg‡b, †m wb‡R‡K Awfe¨³ K‡i GKwU cÖkœ wn‡m‡e, hvi wewbg‡q †m `vex K‡i cvV‡Ki cÖwZwµqvkxj AskMÖnY| Gici AvPgKvB, †jLvwU ¸wU‡q †bq wb‡R‡K, evwo‡q †`q cvV‡Ki m‡½ `~iZ¡ ; Ges Gevi hLb †m wØZxq `dvq Av‡m, †m †d‡i ‡KejgvÎ †mB-‡mB cvV‡Ki Kv‡QB, †h ev huviv Zv‡K ey‡S‡Q e‡j †m wb‡R †ev‡S| Avi ZLb †m Zuv‡`i H GKB cÖwZ-cÖ‡kœ wØZxqev‡ii Rb¨ Avc­yZ K‡i t “What’s it for?” ejv evn~j¨B, G cÖ‡kœi mgvavbI wKš‘ wbwnZ _v‡K ¯^qs H †jLvwUi g‡a¨B, hv †jLK, GK †¯^”QvK…Z mym‡PZbZvq, AcÖKvwkZ †i‡L †`b †nuqvwjcbvi AveWv‡j| G mv‡c‡¶I A¨v‡Wv‡b©v-i eqvb ¯§Z©e¨ t “Every artwork is a picture puzzle, a puzzle to be solved, but this puzzle is constituted in such a fashion that it remains a vexation, the pre-established routing of its observer. The newspaper picture puzzle recapitulates playfully what artworks carry out in earnest. Specifically, artworks are like picture puzzles in that what they hide . . . is visible and is, by being visible, hidden.” myweg‡ji cÖwZwU ‡jLvB GKRb cÖK…Z cvVK‡K †mB weij m¤ú‡` F× K‡i ‡Zv‡j evievi, ZZevi ; hLbB, hZevi †m gy‡LvgywL nq A‡_©i en~gyLx Z_v en~gvwÎK †`¨vZbvq m¤ú„³ †jLvwUi hveZxq †nuqvwjcbvi| Avi G ‰kjx Zvi Ô‡Rwb_Õ-G †cuŠQvq hLb, ZLb †Zv Av¯— †jLvLvbv m¤ú~Y© †MvUv¸wUB n‡q I‡V ¯^qs GK †nuqvwj| †hgb myweg‡ji †mB weij-weijZg †jLvwU hv AvR AewaI Aš—f©y³ nq wb Zuvi †Kv‡bv MÖ‡š’ ev msKj‡b ; ÔMv‡W©‡b‡j­vf¨vRvBbvwjm ev i‡mi PzjKvwbÕ gvÎ 70 k‡ãi GKwU c~Y©v½ I Ams‡¶wcZ Dcb¨vm, hv cÖKvwkZ nq mywegj wgkªi wbR¯^ wjUj g¨vMvwRb cvëvwPš—vi D‡ëvcvëvwPš—vi cvëvD‡ëvwPš—vi KvMR ÔcvZvjMvwÇÕ-i cÖ_g Z_v †kl Z_v GKgvÎ ms¯‹i‡Y, 2003-Gi Rvbyqvix‡Z|

          myweg‡ji †Kv‡bv †jLvB Zuvi cvVK‡`i ‡Kv‡bviKg myLcÖ` cvV-Abyf~wZ †`q bv, ev †`Iqvi cÖ‡qvRbxqZvI GgbwK Abyfe K‡i bv| e¯‘Zt, GB DËivaywbK mgqB ¯^qs †nb `vex iv‡L mgmvgwqK cÖwZwU wPš—vkxj †jL‡Ki Kv‡Q, ‡h cÖK…ZB m„Rbkxj †Kv‡bv †jLv‡K GLb AwZ-Avewk¨Kfv‡eB n‡q DV‡Z n‡e cvV‡Ki A¯^w¯—-D‡`ªKKvix, hv †Kv‡bv Ae¯’v‡ZB cvVK‡K bv›`wbK Av‡gv` †hvMv‡e bv, Ges †h †jLv co‡Z wM‡q cvVK Abyfe Ki‡e cÖwZ c‡`-c‡` Zuvi wb‡Ri Aw¯—‡Z¡i msKU| Avi GB mg¯— kZ© wVKVvK c~iY Ki‡Z n‡j †jLv‡K n‡q DV‡ZB n‡e cÖwZ¯úax© Z_v e¨Z¨qx Z_v cÖwZwµqvkxj| meiKgfv‡eB myweg‡ji eBcÎ ZvB-B| †hb eB‡K eB-nIqv †_‡K evi K‡i Avbv, ‡jLv‡K †jLv-nIqv †_‡K evi K‡i Avbv| 95-Gi wW‡m¤^‡i cÖKvwkZ Zuvi wb‡R‡K-wb‡q-wb‡Ri-‡jLv eB ‘SUN AND MURDERER / mywegj t e­¨vK AvDU / m~h© Ges nZ¨vKvixÕ †_‡K ïi“ nq Zuvi eB‡qi cÖ”Q`nxb nIqv| ïayB f~lvKvwji g‡Zv KzPKz‡P iO-G †gvov| †UvU¨vj e­¨vK-AvDU| GKLvbv eB‡K cy‡ivcywi AcÖvwZôvwbK K‡i ‡Zvjv, Zvi †fZ‡i ‡XvKevi mg¯— m¤¢ve¨ c_ eÜ K‡i ‡`Iqv, me AÜKvi K‡i †d‡j, Aek¨B gvÎ `y-GKLvbv NyjNywj †Lvjv †i‡L| Ges Zvi g‡a¨ Xy‡K hvq hveZxq AvcvZt A-MÖš’myjf mewKQy, gvq 17-B †m‡Þ¤^i 1994-Gi `ycyi 3-‡U †e‡R 51 wgwbU 54 †m‡K‡Û, 3-‡U †e‡R 54 wgwbU 37 †m‡K‡Û, Ges 3-‡U †e‡R 57 wgwbU 10 †m‡K‡Ûi gv_vq cici †Zvjv ü`‡ivMx myweg‡ji ü`‡qi B-wm-wR wi‡cvU©-Gi w÷ªc wZbLvwb, †hLv‡b Zuvi ürK¤ú‡bi nvi †`Lv hvq h_vµ‡g wgwb‡U 82, 62 I 60| ‡mB †_‡K cici 99-Gi Rvbyqvix‡Z cÖKvwkZ ÔA¨vw›U-Mí msMÖn 1Õ I ÔA¨vw›U-Dcb¨vm msMÖnÕ, 2004-Gi Rvbyqvix‡Z cÖKvwkZ Ô36 eQ‡ii iMoviMwoÕ, 2006-Gi Rvbyqvix‡Z cÖKvwkZ ÔwKKv CUTOUTÕ me KLvwb eB-B Zuvi, n‡q D‡V‡Q µgktB Av‡iv Av‡iv Kv‡jv| GgbwUB †Zv nIqv DwPZ e‡j g‡b K‡i‡Qb A¨v‡Wv‡b©v-I, Zuvi ÔGm‡_wUK w_IwiÕ-‡Z t “To survive reality at its most extreme and grim, artworks that do not want to sell themselves as consolation must equate themselves with that reality. Radical art today is synonymous with dark art ; its primary colour is black. Much contemporary production is irrelevant because it takes no note of this and childishly delights in colour. The ideal of blackness with regard to content is one of the deepest impulses of abstraction.”

          Avi cÖ_v fvOvi, Mr †_‡K †ewi‡q Avmvi GB †h cÖwµqv Pj‡ZB _v‡K wbiš—i myweg‡ji †jLvq ; G †Zv ïayB Uª¨vwWkb‡K A¨vemUª¨v±wj †b‡MU Kiv bq, eis †K‡bvwKQyi Øviv †Kv‡bviKg fv‡e wcÖ-AKy¨cv‡qW bv n‡q, eZ©gvb cwiw¯’wZi mv‡c‡¶ Zvi mgv‡jvPbv Kiv, Ges Gfv‡eB eZ©gv‡bi wbwi‡L †di M‡o †Zvjv AZxZ‡K| GLb hv-wKQy i‡q‡Q Zv †Kv‡bv GK mg‡q g~j¨evb e‡j MY¨ n‡Zv e‡jB †hgb Zv‡K we‡ePbv bv K‡iB MÖnY Kiv hvq bv ; †Zgwb †Kv‡bv-wKQy‡KB evwZj KivI hvq bv wbQK GB Kvi‡bB, †h Zv AZx‡Zi dwmj gvÎ| e¯‘Zt, mgq GKv †Kv‡bv kZ©B Av‡ivc Ki‡Z cv‡i bv KL‡bvB| hv-wKQy AZxZ n‡q †M‡Q, Zvi fuvovi hZB wbY©qvZxZ †nvK bv †Kb, AbwZwej‡¤^B Zvi Ach©¨vßZv-I cÖgvwYZ n‡qB hvq| hw`I Zvi mgmg‡q, †mB mgmvgwqKZvi †cÖw¶‡Z Zvi m‡PZbZvi Rb¨B, G LvgwZ aiv c‡o bv| wKš‘ GKgvÎ Zv-B h‡_ó nq bv, †mB m„w÷‡K Kv‡jvËxY© K‡i Zyj‡Z| mgq ¯^qs wkMwMiB H me hveZxq `ye©jZvi wQ`ªc‡_ AbycÖ‡ek K‡i ‡mB m„w÷‡K bMœ K‡i ‡`q me©mg‡¶| Z‡e mg‡qi GgbwK †nb A‡gvN duv` wWwO‡q hvIqviIª `vIqvB e‡j †i‡L‡Qb A¨v‡Wv‡b©v t “Only the most advanced art of any period has any chance against the decay wrought by time. In the afterlife of works, however, qualitative differences become apparent that in no way coincide with the level of modernity achieved in their own periods.”

          cÖK…Z cÖ¯—v‡e, †KvbI mwZ¨Kv‡ii m„Rbkxj †jLvB †KejgvÎ GKLvwb GKgyLx ÔwgwbsÕ w`‡qB KL‡bv Ôwiq¨vwjwUÕ-‡K †f` Ki‡Z cv‡i bv, Avevi G-I mZ¨, †h ÔwgwbsÕ Qvov, H Ôwiq¨vwjwUÕ QbœQvov n‡q nvwi‡q hvq, Ges †kl ZK ch©¨ewmZ nq wbQKB GK evZzjZvq| GB evZzjZv‡K Gov‡Z n‡j me©v‡MÖ †jLK‡K m‡PZb I mshgx n‡Z nq Zuvi wb‡Ri Mí ejvi cÖeYZv m¤ú‡K©, hv m¤^‡Ü nv½vwiqvb mvwnZ¨-ZvwË¡K Z_v mgv‡jvPK jyKvP-Gi gš—e¨ cÖwYavb‡hvM¨ t “ . . . the disintegration of form in a nebulous and unstructured sequence of moods and reflections about moods, the replacement of a sensuously meaningful story by psychological analysis.” wVK A¶‡i-A¶‡i wg‡j hvq G ˆewkó¨ myweg‡ji †jLvi mv‡_| we‡klfv‡e, Zuvi mg¯— Dcb¨v‡m Ges AwZ Aek¨B, weMZ 10-12 eQ‡ii g‡a¨ †jLv Zuvi hveZxq mv¤cÖwZKZg †QvUM‡íI| e¯‘Zt, cÖPwjZ A‡_© cÖ_vMZ ÔDcb¨vmÕ ej‡Z hv †evSvq, Zv mywegj †j‡Lb wb †KvbI w`bB| Ges Zuvi †jLvq D‡b¥vwPZ nq †h Ôwµ‡qwUf wfkbÕ, Zv‡Z ÔA¨vdv‡g©kbÕ ev MÖnY wKsev Ôwi‡RKkbÕ ev eR©b-Gi †Kv‡bv AeKvkB †bB †Kv_vI| hv Av‡Q, Zv nq ÔWvqv‡jKwUKmÕ| Ø›Ø| †jLK wn‡m‡e, cÖK…Z A‡_©B wZwb ÔAvfv-Mv‡`©Õ| Avi Zuvi †jLvB GKgvÎ cÖgvY Ki‡Z cv‡i, ‡h wZwb evsjv fvlvi mvwn‡Z¨ G hy‡Mi Ô‡nvgviÕ ev ÔfvwR©jÕ ev Ô`v‡š—Õ ev ÔR‡qmÕ n‡q D‡V‡Qb wKbv BwZg‡a¨B| Avi ÔMÖnYÕ ev ÔeR©bÕ-Gi duvm †K‡U evi K‡i G‡b, †jLv‡K GB †h Øvw›ØK GK gvÎv †`Iqv, m„w÷‡K Zvi Ô‡UvU¨vwjwUÕ-i P~‡ovq Zz‡j Avbv, G-KvR Ki‡Z †Zv cy‡ivcywi e¨_© bv n‡jI AvswkK-mdj gvÎ, GgbwK Ô`¯—qfw¯‹Õ ev ÔZj¯—qÕ-‡`i g‡Zv Zveo-Zveo w`Kcvj †jLKivI me| ev¯—‡e, `¯—qfw¯‹ ïayB Zuvi mgmvgwqK †cÖw¶‡Z wKQy cÖK…ZB D‡j­L‡hvM¨ †gŠwjK Dcv`vb wb‡Ri Dcb¨v‡m mieivn K‡iwQ‡jb gvÎ, hv Zuvi c~e©m~ixivI GgbwK †c‡i I‡Vb wb e‡jB wZwb Zuv‡`i ‡P‡q GwM‡q A‡bK-A‡bKLvwb ; Ges DËihy‡M Zuvi cieZx© mvwnwZ¨‡Kiv †h Dcv`vbmg~n †_‡KB cÖf~Z mvnvh¨ cvb ZrKvjxb mvwnZ¨‡K mg„×Zi Kivi Kv‡R| Avi H Ô‡UvU¨vwjwUÕ-‡Z †cuŠ‡Qv‡bv m¤¢e †Zv †Kej ms¯‹…wZi wf‡Zi Ici `uvwo‡qB| wKš‘ Zj¯—q-Gi Zver Dcb¨v‡m, Dcb¨v‡mi weg~Z©-KvVv‡gv Z_v KsµxU-welqe¯‘, Df‡qi mv‡c‡¶B ÔwWmvBwmf-÷¨vÛÕ ev wba©viK-Ae¯’vb-wU evievi n‡q c‡o GZUvB H ms¯‹…wZ-gyLv‡c¶x, †h cÖwZevi Zv i` K‡i †`q ¯^qs wb‡R‡KB| †m wePv‡i, Jcb¨vwmK wn‡m‡e, mywegj wgkª Gu‡`i‡KI Qvwc‡q †ewi‡q †M‡Qb BwZg‡a¨B, en~-en~ Av‡M, A‡bK mvg‡bi w`‡K|

          ‡h‡nZz Ôms¯‹…wZÕ we`¨gvb iq Ôwiq¨vwjwUÕ-‡ZB, Ôwiq¨vwjwUÕ Ôms¯‹…wZÕ-‡Z bq, †h-‡Kv‡bv I mg¯— cÖK…Z m„Rbkxj Dcb¨v‡m ZvB _vK‡ZB nq (1) cÖv_wgKfv‡e, H Ôwiq¨vwjwUÕ-i b~¨bZt `yBLvwb ¯—i hviv m¤ú~Y©iƒ‡c ci¯úiwe‡ivax wecixZagx© †gŠwjK Dcv`vb mgwš^Z, Z_v G‡K A‡b¨i wecÖZxc Zv‡`i ¯^Kxq Zvrch©¨, Ges †h wfbœ wfbœ A_© Zviv enb Ki‡Q, Df‡qi wbwi‡LB ; Avi (2) P~ovš— ch©¨v‡q, `yB ev wZb ev Pvi ev Z‡ZvwaK, G‡nb D‡ëvgyLx †Rvov Ôwiq¨vwjwUÕ-i AmsL¨-AmsL¨ ¯—‡ii mgš^q| Jcb¨vwmK g~jZt GB e¨vcvi¸wj‡K wVKVvK Quy‡q DV‡Z cvi‡jB, Dcb¨vmwU wb‡R-wb‡RB Gevi cÖ‡Z¨KwU cvVK‡K cvV-cÖwµqvi Øviv mwµq K‡i ‡Zv‡j, GB wfbœgyLx ¯—i¸wji g‡a¨ †hvMv‡hvM i¶vq, Z_v ZrKZ©…K evwnZ en~gvwÎK A_© Av`vb-cÖ`v‡b| Avi †Kej GB cVb-wµqvi cÖwZ-cÖwµqvi gva¨‡gB, GBfv‡eB, m¤¢e nq m„w÷i Ô‡UvU¨vwjwUÕ-‡Z †cuŠ‡Qv‡bv ; hv Avm‡j wbQKB GK Ôwiq¨vwjwUÕ †_‡K Av‡iK Ôwiq¨vwjwUÕ-‡Z hvIqvi ågbc‡_ AvnwiZ AwfÁZv ˆe †Zv bq ! e¯‘Zt, GB cÖwZwU Ôwiq¨vwjwUÕ GKK g~‡j¨ †hfv‡e ¯^xq Ae¯’vb wPwýZ K‡i, Z_v Zrc‡i ‡h c×wZ‡Z Avcb H Ae¯’v‡bi mv‡c‡¶ Ôms¯‹…wZÕ-i cÖvmw½KZv I AcÖvmw½KZv cÖgvY K‡i, Av`‡Z †MvUv wewµqvwUB n‡q I‡V, GK Aš—nxb hvÎv, Ôms¯‹…wZÕ †_‡K Ôwiq¨vwjwUÕ-i cv‡b, Ges †di wdiwZ c‡_| Avi Gg‡ZB, GB mgMÖ m„w÷Lvwbi, †MvUv Dcb¨vmwUi, †K›`ª n‡q I‡V, Dcb¨vmwUi GB hveZxq ¯—iweb¨vm Z_v A_©mg~‡ni Ø›Ø ; Ges Jcb¨vwm‡Ki Ae‡PZbvq I †PZbvq wbiš—i fvmgvb AZxZ I fwel¨r-‡`i m‡½, †h HwZnvwmK mg‡qi †cÖ¶vc‡U †m wb‡R‡K Kjg nv‡Z wjL‡Z †`‡L ‡mB eZ©gvb-Gi Øvw›ØK m¤úK© GB `yB‡qi mnve¯’vb| Dcb¨v‡mi Pwi·`iI QywU‡q wb‡q †eovq †mB Zvobv, hv Zv‡`i g‡a¨ D‡`ªK nq, Zv‡`i cvwicvwk¦©K-G me©Rb¯^xK…Z hv Z_vKw_Z Ôms¯‹…wZÕ bv‡g, Zv KZ©„K| Ges GB Zvobvq cÖ‡ivwPZ n‡qB Zviv kwiK nq H AK¬vš— hvÎvq, wbiš—i Luy‡R †d‡i, Av‡iK wØZxq ev Z…Zxq ev PZz_© ev G‡nb AmsL¨ AwaKZi Avewk¨K Ôms¯‹…wZÕ-i Ôwiq¨vwjwUÕ| Gfv‡eB, myweg‡ji Dcb¨vm¸wj‡Z Awfe¨w³ cÖKv‡ki gva¨g wn‡m‡e ÔgyWÕ Ges Ôwi‡d¬KkbÕ-Gi cvi¯úwiK m¤ú~iKZvm¤úbœ f~wgKv jyKvP-Kw_Z ZË¡‡KB ev¯—‡e cÖ‡qvM I cÖgvY K‡i t “Reflection and mood are constitutive structural elements of the novel form, but their formal significance is determined precisely by the fact that the regulative system of ideas on which the whole reality is based can manifest itself in them and is given form through their mediation ; in other words, by the fact that they have a positive, although problematical and paradoxical, relationship to the outside world. When they become an end in themselves, their unpoetic and form-destructive character becomes clearly obvious.” myZivs, mywegj wg‡kªi ‡jLv `y‡e©va¨, ev Zv wbQKB A_©nxb-LvcQvov Ô÷v›UÕ-evwR gvÎ GB Awf‡hvM Aš—Zt †av‡c †Uu‡K bv Av`‡cB| Avi G‡nb Awf‡hvMKvix‡`i wbwgËB †Zv, †jLv iq, Zuvi me MÖ‡š’i cwi‡k‡l t Òmywegj wgkª †KvbI Kvi‡bB Aa©-gb¯‹ gvbwmKZv cÖv_x© bqÓ|

          cÖK…Z cÖ¯—v‡e, mywegj Zuvi hveZxq †jLv‡jwL, Z_v Zuvi e¨w³MZ Rxeb hvcb-c×wZ †e‡q †e‡q †e‡q †e‡q BwZg‡a¨B n‡q D‡V‡Qb, DV‡Z †c‡i‡Qb, Av¯— GK Awek¦vm¨-iK‡gi-RjR¨vš— wKse`š—x ‘an incredible living legend’| iu¨v‡ev-i ‡mB Ô‡Wwjev‡iU †WmUªvKkbÕ †hgb ‘Parnassian ideal of pagan beauty’ †mŠ›`‡h©¨i wPi-Agwjb AvBKb Av‡d«vw`‡Z-i m‡eŸv‡b‡k Ô‡gUvgi‡dvwmmÕ NUv‡bv, k¨vIjv aiv Kvj‡P-meyR wU‡bi †PŠLywà ev_i“g †_‡K †ewi‡q Avm‡Q GK i“Mœ, nvo-wRiwR‡i, Dj½, hyeZx bvix, hvi gjØv‡i `M`‡M Nv iu¨v‡ev-i fvlvq ‘hideously beautiful’ ; wVK †Zgbfv‡eB AvR Zuvi mgmvgwqK mvwnZ¨‡K aŸsm Ki‡Qb wZwb, mywegj, Ges hyMcr e‡qI P‡j‡Qb Zv ¯^xq ¯‹‡Ü GKvKx, aŸ¯—-wemª¯— Ki‡Qb Zvi msÁv, fvO‡Qb wb‡Ri Rxeb‡K, †¯^”Qvq, mÁv‡b, Ô‡Wwjev‡iUwjÕ| 1870-Gi †mB av°vi av°vB GgbwK, GLbI `ywbqv mvg‡j DV‡Z ¶g nq wb| Av-cÖvP¨-cvðv‡Z¨i Zver Zv-e‡ov Zv-e‡ov `»-we`» mvwnZ¨-d‡oiv AvRI e`nR‡gi †nuPwK Zz‡jB P‡j‡Qb mgv‡b| Avi AvR, GB 2008 mv‡j, hLb mywegj wb‡Ri me©v‡½ Kzô wb‡q Zvgvkv †`Lv‡”Qb mgv‡Ri ivRc‡_ Awfkß K…òZbq kv¤^ †hb ; hLb Zuvi cÖZ¨‡½ wKjwej Ki‡Q †cvKv, `yM©‡Ü fvix n‡q Avm‡Q evZvm ; hLb nvivY gvwSi weaev †eŠ-Gi gov, †`LbPvPv, weUz, †mvgcÖKvk, ivgvqY Pvgvi,gqbvi gv, evjwZevev, So–cÖmv`, hg I hgx mevB Lye‡j Lv‡”Q myweg‡ji cP‡Z _vKv, M‡j M‡j co‡Z _vKv gvsm ; ZLb AeavwiZfv‡eB g‡b Av‡m Ô†M¨‡UÕ-i ‡mB g~j¨vqb, `vbexq ev Ô‡W‡gvwbKÕ hv, Zv m¤ú‡K© t “It was not divine, for it seemed irrational ; it was not human, for it had no reason ; not devilish, for it was beneficent ; not angelic, for it often allowed room for malice. It resembled the accidental, for it was without consequence ; it looked like providence, for it hinted at hidden connections. Everything that restricts us seemed permeable by it ; it seemed to arrange at will the necessary elements of our existence ; it contracted time, it expanded space. It seemed at ease only in the impossible, and it thrust the possible from itself with great contempt.” ev¯—weKB, mywegjI †Zv GK `vbe ˆe bb ! AvR, RMrRy‡o mvwn‡Z¨i ‡nb gnv-msµvwš—Kv‡j, wZwbB †Zv †Kej GKv GK AZ›`ª AK¬vš— KjgevR, huvi `vbexq e¨wó-cÖqv‡mB m„w÷i emš—-wkLv GLbI ewýgvb ; `waPx-i gvwdK ¯^xq Aw¯’-wbwg©Z GK `„k¨vZxZ cÖZxKx KuvUvZv‡ii †Niv‡Uv‡c whwb Ghver AvM‡jB P‡j‡Qb wbijm, evsjv fvlv I mvwnZ¨‡K, †VwK‡q †i‡L‡Qb Zuvi AKvj-Aš—R©jx hvÎv ; hveZxq m`vb›` mvwnZ¨-‡ewbqv I mvwn‡Z¨i Avb›`evR AvoKvwV‡`i av›`v-m¼zj †mŠnv‡`©¨i Zvgv-Zzjmx huvi mvwMœK Kj‡gi djvi gy‡L Amnvqfv‡e R¡‡j-cy‡o LvK n‡q hvq evievi, cÖwZevi| GB 65 eQi a‡i, G‡nb me me kvjvi Lvj wLu‡P †bIqv mywegj, nvRvi ÔMvb-m¨vjyUÕ Avcbv‡K ! ÔMvW©-Ad-AbviÕ Avcbvi wn¤§r-‡K ! wb‡Ri Rxeb w`‡q Avcwb cÖgvY K‡i w`‡q‡Qb, †h Avcbvi Kj‡gi g~j¨‡eva Z_v a~mi‡Kv‡li gh©¨v`vÁvb, Avi hvB †nvK, ga¨weË-ey‡R©vqv-evOvjxi †eªwmqv‡ii ev Rvw½qvi Bjvw÷K Aš—Zt bq †KvbIg‡ZB, hv B”Qvg‡Zv I myweavg‡Zv evov‡bv-Kgv‡bv hvq| mywegj-ivgvqYPvgvi-wgkª `xN©Rxwe †nvb !


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                   [ G †jLvq †Kv_vI-B myweg‡ji Z_v Zuvi †jLvi g~j¨vqb Kivi †KvbIiKg Kv‡ßbx KivB nq wb KL‡bvB| Ges GB bv-Kivi K‡¤§vwU K…Z n‡q‡Q mym‡PZbfv‡eB, hw`I H bv-Kiv-Kv‡ßbx djv‡bvi g‡Zv ¯úa©v, a„óZv I G‡jg, Av‡Q †Zv e‡UB GB Kjgev‡Ri, GgbwU g‡b K‡ib ¯^qs mywegj wgkªB| Zey, LyeB `o ej †L‡jvqv‡oiI †Zv †cbvwë wgm nq ! nq bv wK? ZvB, †n_vq iB‡jv ïayB, Avgvi-‡`Lv mywegj wgkª bvgK cÖKvÛ wng‰k‡ji ‡mB AvcvZt-A`„k¨ 11/12 Ask hv m`vB iq R‡ji Zjvq| RjZ‡ji Dc‡i fvmgvb †Kej 1/12 Ask P~‡ovUzKz e¨ZxZ evwK hv †`‡L DV‡Z ¶g nq wb Ghver Avi cÖvq †KDB| Avi bx‡jvrc‡ji mywegj †h GKvš—B bx‡jvrc‡ji| Zv‡Z †Kv‡bvB nK †bB GgbwK ¯^qs myweg‡jiI| G G‡°ev‡i Avgvi Avcb †Pv‡Li Pkgv| G‡Kev‡iB Avgvi wbR¯^ wPš—vfvebv, hv w`‡q Avwg †evSvi †Póv K‡iwQ †jLK mywegjwgkª-‡K, Zuvi †jLv-‡K| ]

Nilotpal Roy's selection : Anti-stories by Subimal Misra (from a lifelong anti-establishment praxis)

SUBIMAL MISRA DOCUMENTARY (PART 3 OF 3) : NILOTPAL ROY'S INTERVIEW


SUBIMAL MISRA DOCUMENTARY (PART 2 OF 3) : NILOTPAL ROY'S INTERVIEW


SUBIMAL MISRA DOCUMENTARY (PART 1 OF 3) : NILOTPAL ROY'S INTERVIEW


Thursday 28 April 2011

BIRTH OF A SENTENCE

It all started on the late-morning hours of 12th September 2010, when Purnendu, one of my very cerebral disciples --- (in fact, there are very very few such ones whom I sincerely consider worth calling my disciples) --- at sharp 11:37:12 a.m. sent to my mobile phone, an extra-ordinary text-message.

It was the latest poem he penned till then ... very lately of course.

And as I immediately started reading his poem, I felt the living souls of my dead ancestors, blessing and cursing, me and my pen respectively.

I felt like bruiting myself for being the mentor (was I?) of such a poet, though I knew it well that a poet is always greater than a poet’s mentor.

I understood that my existence sans my cerebral entity would be very much like a corpse which could neither be burnt, nor be buried.

As soon as I finished reading the poem, I perceived myself surrounded by my three voluptuous concubines --- Death, Sex, and Solitude --- all very eager to whisper something to my ears.

Solitude muttered first : All mine-labourers are essentially proletariets.

Next mumbled Sex : A bourgeoisie suffers a volcanic family-life.

Death now maundered : The epitome of elitism is the pyramid as cenotaph.

I felt like a marooned coprolalomaniac ... sipping purgatorial suet, in a bowl of skull.

As if, lurking at the exit of my infernal private lair, I grabbed with one hand the ablazed ladder made out of my own steamed bones tied tight with bundles of my nerves.

And my other hand, reached for my tie’s knot.

Now, in order to tease my three MILF(1) mistresses, I silently shouted my respective answers to each of them :---

“ i ~ h ~ a ~ v ~ e ~ n ~ e ~ v ~ e ~ r ~ e ~ n ~ t ~ e ~ r ~ e ~ d ~ a ~ m ~ i ~ n ~ e ”

“ i ~ h ~ a ~ v ~ e ~ n ~ e ~ v ~ e ~ r ~ e ~ n ~ t ~ e ~ r ~ e ~ d ~ a ~ v ~ o ~ l ~ c ~ a ~ n ~ o ”

“ i ~ h ~ a ~ v ~ e ~ n ~ e ~ v ~ e ~ r ~ e ~ n ~ t ~ e ~ r ~ e ~ d ~ a ~ p ~ y ~ r ~ a ~ m ~ i ~ d ”

The three nudiustertian(2) sluts seemed all greedy greedy greedy now for my nuts.

They went oblivious to the adage that pulchritude possesses solely cutaneous profundity.(3)

And that cadavers are incapable of rendering any testimony.(4)

And that it is fruitless to attempt to indoctrinate a superannuated canine with innovative maneuvers.(5)

So ... scintillate, scintillate, asteroid minim(6) ... Solitude metamorphosed into Seneca : “There is no great genius without a touch of dementia.”

Sex began to sing an Irish folk-song : “Don’t dance with your toes pointing skyways. / They will do that when you are dead.”

And Death started dancing like Nijinsky : “The earth is the head of God. God is fire in the head. I am alive so long as I have a fire in my head. My pulse is an earthquake. I am an earthquake.”

I never cared a fag for any sort of neophyte’s serendipity.(7)

It was my turn now to expose to these aphrodisiac hardcore hussies, mine hesternal(8) inclinations.

I initiated a saunter --- up, not down --- memory lane, resuscitating one after another, in flash-back, those half a dozen penultimate text-messages sent to my mobile phone by Purnendu, during the last five-and-half months, since 26th September 2010 till 28th February 2011.

And after remembering each single one, I also recollected in my mind those respective replies for every individual message he sent, though I never sent him even a single one of them.

Well ... very much a dialogue ... between a Sagittarian and a Gemini.

S : Oskar Schindler saved so many Jews from the Ghetto; yet he felt that had he saved more, it could have been better --- an industrialist becoming a saviour.
[26/09/2010; 01:18:28 P.M.]

G : It is impossible to lick your own elbow.(9) Not even Spielberg can do it!

S : Just watched ‘The Bicycle Thief’. Post-war Rome. A bicycle, the only hope of a family, is stolen. A man, with his son, searching for the thief finally becomes a thief.
[01/11/2010; 06:10:16 A.M.]

G : Among the 4 kings of the cards, only the King of Hearts does not have a moustache.(10) Nor did Vittorio De Sica!

S : Michelangelo Antonioni’s ‘Cronaca di un Amore’ (‘A Love Affair Story’). A married woman meets her former lover Guido, but their relation is marked by tragic events.
[19/11/2010; 06:52:32 A.M.]

G : A most ordinary black & white drama ... methinks. Once Joyce dismissed the much hyped term, as well as the movement ‘Celtic Twilight’ with an ironic scornful phrase --- ‘cultic twalette’. I’m afraid ... !

S : Jean-Luc Godard’s ‘Alphaville’. A dystopian science-fiction and film-noir. References to Jorge Louis Borges, ‘Nosferatu’, George Orwell & Paul Eluard are found.
[03/12/2010; 03:46:16 A.M.]

G : In 250 B.C. Confucius’s work was banned by the Ts’in Emperor for its political viewpoints. In 35 A.D. Homer’s ‘Odyssey’ was banned by Caligula for inappropriately expressing Greek notions of freedom. 14 centuries later all of Dante’s work was burnt by Savonarola, the reason being --- ‘vanities’. Since 1911 till 1953, works of 39 authors were victimized for various reasons --- (such as being ‘immoral’, ‘irreligious’, ‘obscene’, ‘subversive’, ‘politically unsound’, ‘occult’, ‘erotic’, ‘impious’, ‘semitic’, ‘heretic’ etc.) --- by different authorities in countries like America, Australia, Britain, Canada, Czechoslovakia, Germany, Greece, Hungary, Ireland, Italy, Palestine, Poland, Russia, South Africa, Spain, Yugoslavia, as well as by the Papal Index. Ain’t I living amidst an inhuman, alienated society of mindless drones ... like that of Alphaville!

S : Sergei M. Eisenstein’s ‘Battleship Potemkin’ (1925), a revolutionary silent-film has so long stood as a textbook example of montage editing. His way of narrative editing is innovatively poetic.
[19/12/2010; 05:29:38 A.M.]

G : Strindberg wrote in his ‘A Madman’s Diary’ (1985) : “I loathe people who keep dogs. They are cowards who haven’t got the guts to bite people themselves.” I think that’s why Eisenstein never owned a dog!

S : ‘13 Tzameti’ by Gela Babluani. A worker steals an envelope containing instructions. Following them, the young man becomes trapped in a dark situation.
[28/02/2011; 02:45:28 A.M.]

G : Burroughs’s alternate occupation was that he was a marijuana farmer; T. S. Eliot ... bank clerk; Faulkner ... post master and school teacher and farmer and night watchman; Genet ... thief; Greene ... spy; Ibsen ... chemist’s assistant; Joyce ... school teacher and bank clerk; Kafka ... bureaucrat for insurance agency; Nabokov ... tennis & boxing coach and chess instructor and pioneering lepidopterist (moth and butterfly specialist); Steinbeck ... field labourer; Vonnegut ... teacher of emotionally disturbed children --- etc. etc. etc. Here, Sebastian becomes a victim of the sadistic blood-lust in an attempt to get-rich-quick. Yeah ... he never tried to seek an alternate occupation!

As soon as the conversation in my brain paused, I at once returned first to the ‘very beginning’ (for sake of the readers’ convenience, let us identify this point of time as TWEEDLEDUM) ... when at the thought of reacting to my beloved Sagittarian’s poem, I penned the three primitive sentences now resting at the head of this very flapdoodling.

And eventually to the ‘very very beginning of that very beginning’ (once again for sake of the readers’ convenience only, let us identify this point of time as TWEEDLEDEE) ... when immediately after finishing reading his poem, I remembered the immense substance-less-ness of a certain cheap-spectators’ cheap-clap-provoking one-liner from the popular 1997 Bond flick ‘Tomorrow Never Dies’, and penned in my mind --- (as the counter-statement of that Bond movie dialogue) --- a noir sentence, which in turn provided me with the idea of titling this piece as ... ‘The Birth of a Sentence’ --- of a very very noir sentence.

Now (as TWEEDLEDUM is born) at that ‘very beginning’ ... when I felt the living souls of my dead ancestors blessing me and cursing my pen ... and when I felt like bruiting myself for being the mentor of such a poet like Purnendu though I knew it well that a poet is always greater than a poet’s mentor ... and when I understood that my existence sans my cerebral entity would be very much like a corpse which can neither be burnt nor be buried; I remembered the opening sentence of David Markson’s ‘Wittgenstein’s Mistress’ : “In the beginning, sometimes I left messages in the street.”,(11) and unpremeditatedly I unloaded my proximate meditations against the most formidable philosophic question that started haunting my grey cells since the very inception of my life as a penman.

I didn’t have a name when I was born.
I didn’t even know then about my namelessness.
I was like all those
Nameless centuries, ages, legends and traditions
Which though nameless, are still remembered
Only because they were and are true.

I first learnt of my name
From my mother,
And then from my father.
They made the sound of my name familiar to my ears.
Even then, I didn’t know the meaning of my name.
But ... thank you ...
I was lucky ... to have a name.

I cannot remember
When I first felt about myself,
I mean ... my own self.
Was it when I saw me in the mirror
For the first time in my life?
I don’t know.
Memories are what they are.
They have their own ‘MAYAS’ ... the nostalgic affinity.
I am lucky I have a name
Although I was not born with a name.

We always have to re-learn.
I was hearing many voices,
Telling me I was changing.
I didn’t understand what was happening.
--- DON’T TRY TO UNDERSTAND ---
Those voices told me.

And (as TWEEDLEDEE is born) at that ‘very very beginning of that very beginning’, just after finishing reading Purnendu’s poem and just before beginning to think about the Bond film utterance --- in that interregnum --- in the flash of a millisecond, I sensed the premonition of the birth of an ominous sentence --- an ‘enfant terrible’ --- in the offing.

First I remembered what Bond was told by Elliot Carver, the fictional antagonist (modelled on Robert Maxwell or/and Rupert Murdoch or/and William Randolph Hearst) who serves as a satirical warning of the power of the media and its ability to manipulate, coerce, misinform, incense and even terrorize population : “The distance between insanity and genius is measured only by success.”

It inadvertently reminded me of a statement made by Marx in his ‘Theses on Feuerbach’ where he declares : “The materialist doctrine that men are the product of circumstances and education, that changed men are therefore the products of other circumstances and of a different education, forgets that circumstances are in fact changed by men and that the educator must himself be educated.”

And thereafter following all these aforementioned preposterous boisterousness of my cerebral omphalus, this ‘enfant terrible’ was eventually brought to birth : The capitalist media which continue to mislead the mass to believe their hegemonic propaganda that ‘The distance between insanity and genius is measured only by success.’ must not forget that a genius may and often generate success, but only success can never create a genius.

This is the way a sentence is born ... this is the way a sentence is born ... this is the way a sentence is born ... not with a bang but a whimper.

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[COUNTERNOTES

1. I think we are all very acquainted with this popular porn term --- Mother I’ld Like to Fuck. So far as the symbolic connotations of the usage of it, here, in this text, are concerned, my readers must not be so stupid so as not to comprehend it themselves.
2. Having to do with the day before yesterday; (Adjective).
3. Beauty is only skin deep.
4. Dead men tell no tales.
5. You can’t try to teach an old dog new tricks.
6. Twinkle, twinkle little star.
7. Beginner’s luck.
8. Having to do with yesterday; (Adjective).
9. The funny fact is that 90% of those who read it, try to do this! Haven’t you too just tried that?
10. Have you ever noticed that so far in your life? Reader! Take a pack of cards, and check this out for yourself.
11. Ah! David Markson!!! Please ... please ... please ... read him readers. Chew him ... swallow him ... digest him. Do all --- what Bacon said --- to him. A reader is incomplete until Markson is read. A reader never becomes a reader unless Markson is ... ohh ... I’m running out of words!



PARAPHERNALIA : Ideas began to germinate in my subconscious on 15th September 2010 at around 2:35 mid-day. The embryo was fertilized amidst my grey cells on 16th March 2011 at around 3:34 in the afternoon. Eventually, after 209 days of severe cerebral labour-pain, today, 8th April 2011 at 2:11 in early morning, this my ‘enfant terrible’ is born. Hats off ... all hats off ... to the flair of extraordinaire with which my poet pal’s pen is fraught, and his mind imbued. Here is his masterpiece.

Success is still elusive,
People call me names at times,
Sky is murky
And sore is my heart climes;
But I love a woman who’s a poet.
I dream dreams which break,
A woman loves me whom I don’t,
People all around are sullen,
I may die but I won’t
For I love a woman who’s a poet,
In a known crowd I feel lonely,
Festivals little hopes give,
I smile to hide my tears
For as long as I live
There’ll live a woman who’s a poet.
The other day when I sauntered
Through an avenue forlorn,
Blossom laden trees hid or half-hid
A damsel in the mist of that morn;
And I knew she’s my woman who’s a poet.]